Some heavy hitters out this week: Sweet Tooth by Ian McEwan; Dear Life, Alice Munro’s latest collection; Woes of the True Policeman by Roberto Bolaño; The Testament of Mary by Colm Tóibín; and Far From the Tree, Andrew Solomon’s massive follow-up to The Noonday Demon. Also out are My Ideal Bookshelf, in which figures from Judd Apatow to Jennifer Egan share about which books shaped them; Jon Meacham’s biography of Jefferson; 40 years of poems by Louise Glück; a new issue of McSweeney’s food mag Lucky Peach; debut The Heat of the Sun by David Rain, and She Loves Me Not, a new collection of stories by Ron Hansen.
A new academic journal dedicated to critical explorations of “cultural products and services designated as pornographic” will debut next spring. “Porn Studies is a direct outgrowth of the mounting scholarly interest in the topic of pornography as a significant, yet relatively under-examined, realm of popular culture,” writes Lynn Comella.
City University in London is launching the UK’s “first creative writing masters dedicated to crime and thriller novels.” The degree program will allow 12 to 14 students to focus on crime writing, the UK’s second biggest genre, which raked in £87.6m in 2011.
Nobody needs reminding that Yeats was a major poet, but it can be easy to forget, a hundred years of his major work, just why his poetry has endured. In The Irish Times, Denis O’Donoghue makes a forceful case for Yeats’s relevance, arguing that “Yeats solved, or came closer than any other modern poet in English to solving, the problem that defeated so many of his contemporaries: how to reconcile the claims of common speech, morally responsible, with the insisted-on autonomy of the poem.”
“Their deliberately childless life, their cat, Converse (named not for the shoe but for the political scientist), their free-range beef and nights and weekends of reading and grading and high-quality television series—it was fine and a little horrible. She gets it.” It shouldn’t take much convincing to get you to go and read some new fiction by Curtis Sittenfeld, Gender Studies, over at The New Yorker.