Tom Wolfe is back with his new novel Back to Blood (our review) and Jami Attenberg’s The Middlesteins is out. Lemony Snicket is kicking off a new series for kids, illustrated by artist Seth. Finally, do you want to know everything about everything? The Onion is looking out for you with its new Onion Book of Known Knowledge: A Definitive Encyclopaedia Of Existing Information.
“A few weeks ago, I texted my writing group, ‘All I really want is to be just famous enough to have my own celebrity book club.’ I was kind of kidding. But I kind of wasn’t. Because, like portion-packaged organic snacks delivered to your door, isn’t book club ownership one step closer to having it all?” Laura Briskman on the faux intimacy of celebrity book clubs, as more and more celebrities start their own post Oprah.
A German cow named Yvonne escaped her impending trip to a slaughterhouse and soon became a national icon. In the wake of public outcry, officials have called off the search for her. Elsewhere, Lydia Davis is probably regretting that this story broke after she published her bovine chapbook The Cows.
“‘What pleases the PUBLIC is always what’s most banal,’ he wrote to his brother in 1883. But nowadays Van Gogh pleases the public enormously. So has he become banal?” Julian Barnes reflects on Van Gogh’s life and work and how our perception of him has changed over time in a London Review of Books podcast. Interested in contemporary art? Check out our own Bill Morris’s piece on the Whitney Museum.
“The way (Yeats) puts down a man’s head & a woman’s head side by side, or face to face, is terrifying, two irreducible singlenesses & the impassable immensity between.” The Paris Review has published a brief, fascinating letter written by Samuel Beckett to his aunt Cissie Sinclair containing an original poem and some positive criticism of the painter Jack B. Yeats. Top it off with this essay by Elizabeth Winkler about language, style, and translation–and how any of that might help to make sense of Beckett’s convoluted legacy.