Among this week’s new books we have The Twelve by Justin Cronin (our review), The Fifty Year Sword by Mark Z. Danielewski (our interview), The Miracle Cures of Dr. Aira by César Aira (our review), and Zoo Time by past Booker Prize-winner Howard Jacobson. In non-fiction, Mark Bowden has penned an account of the killing of bin Laden.
A team of archaeologists just found Cervantes's body, and while that seems like a fun literary and historical event, the New Yorker's Ilan Stevens has a slightly different perspective: "Frankly, there is something creepy about bringing Cervantes back from the dead."
It’s 1957. You’re Truman Capote. Your editor at The New Yorker, inspired in part by an excellent sense of humor, has asked you to write about an upcoming film (based on a novel by James Michener) that stars none other than Marlon Brando. How do you handle it?
"Hoaxers make it seem like things are as bad as we fear they are, and they often, especially now, play on our fears rather than our wishes." The Rumpus interviewed New Yorker Poetry Editor Kevin Young about the inspiration behind his new book, Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News. Pair with Young's Year in Reading entry and our review of Bunk.
"João Gilberto Noll frustrates attempts to foresee the plot or to craft stories as they are traditionally understood and written. The series of events that appear in them are as tenuously linked into a broader narrative as those of a dream." An interview with Noll translator Adam Morris.