Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
Tom Stoppard on life, work, and fly-fishing
(Female) Writers No One Reads
Brittany Oliver listed the “6 Most Influential Women Writers You’ve Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.
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Vuvuzela Time
Pretend you’re at the World Cup while you enjoy The Millions! (explanation)
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First Cloud Atlas, Now This
Apparently David Magee, the screenwriter behind the Life of Pi movie, declared the book “unfilmable” before he was asked to adapt it.
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Tuesday New Release Day: Barrett; Gurganus; Levy; Vann; Beatty; McGuane; Ishiguro
Out this week: Young Skins by Colin Barrett; Decoy by Allan Gurganus; The Unloved by Deborah Levy; Aquarium by David Vann; The Sellout by Paul Beatty; Crow Fair by Thomas McGuane; and Kazuo Ishiguro’s first new novel in ten years (which our own Lydia Kiesling reviewed yesterday). For more on these and other new titles, check out our Great 2015 Book Preview.
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Tuesday New Release Day: Hemon; Atkinson; Disabato; O’Brien; Adrian; Vermes; Sneed; Foley; Baker
New this week: The Making of Zombie Wars by Aleksandar Hemon; A God in Ruins by Kate Atkinson; The Ghost Network by Catie Disabato; The Love Object by Edna O’Brien; The New World by Chris Adrian and Eli Horowitz; Look Who’s Back by Timur Vermes; Paris, He Said by Christine Sneed; Hugo & Rose by Bridget Foley; and Scavenger Loop by David Baker. For more on these and other new titles, check out our Great 2015 Book Preview.
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Barely a mention of fly fishing