Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
“The voices you hear when you sit down to write lead you to believe that you’re a character in the novel you’re writing even though metafiction hasn’t been invented yet.” If this applies to you, you might be in a Muriel Spark novel according to Maud Newton’s article at The Toast. We aren’t surprised that Newton wrote this because Spark made her 2010 Year in Reading post.
Michael Chabon is really into prog rock. And I just picked up a couple of great Emerson Lake & Palmer LPs. So now I’ve got a soundtrack for reading Telegraph Avenue, which I’m especially stoked on after our own Michael Bourne’s review of the novel, devoted as I am to the “brilliant little brushstrokes of language.”
At 3 Quarks Daily, Akeel Bilgrami’s essay on the pleasures of literature: “To understand what is special about literature is not to delegate the emotions to literature while retaining thought for philosophy and science. The idea is to find in the distinctly expressive function of literature, a refusal of that tired dualism.” (via Book Bench)
Recommended Reading: A new story by Yuri Herrera for Granta Magazine, featuring “the prayer of the overheated-horndog”: “Oh please, oh please, oh please / May he, the drunken me / May he, the dumbfuck me / May he, the me who never ever ever knows where shit is / May / he have saved one / Just one / Lubricated or corrugated / Colored or flavored / Magnum or tight-fit / Oh please / Holy Saint of horndogs / Grant me just one condom.”