Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
David Byrne, Talking Heads frontman, sits down with Smithsonian Magazine’s Seth Colter Walls to discuss his life, musical tastes, and his latest book, How Music Works. You can also read an excerpt from the book over here. (Also, you know, just because I have to…)
Penguin Books UK has started a podcast. I’ve added it to my Literary Podcasts post. (via)Law blog Groklaw has a good post explaining the Google Print project and the controversy surrounding it, and Lawrence Lessig has news of a program coming up at the New York Public Library on November 17 called “The Battle Over Books: Authors and Publishers Take on the Google Print Project.”Golden Rule Jones has a list of this year’s Chicago fiction, and at Pete Lit, Pete tells us about Chicago Noir, a collection edited by Neal Pollock with stories by Adam Langer, Kevin Guilfoile and others.
Literary Twitter has been on fire with #ManlyBookClubNames since The New York Times style section reported that apparently men have book clubs, too. “Perhaps because participation in reading groups is perceived as a female activity, some all-male book clubs have an outsize need to proclaim the endeavor’s masculinity.” If you’re looking for a book club, consider joining Adam Boretz’s Football Book Club.
It is a truth universally acknowledged (and recently addressed in Barclay Bram Shoekmaker‘s Millions review of Mo Yan‘s Frog) that literary translation is an imperfect art, and this list of mistranslated “literary moments” only offers more evidence for the claim. But for every serious blunder there’s also a truly ridiculous one (or more). For example, the French translated the title of Animal Farm as Animals Everywhere!, which sounds a lot like a charming children’s book and not at all like Orwell.
Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.