The New Yorker has published the chapter of Salman Rushdie’s forthcoming memoir, Joseph Anton, that describes the circumstances of his life immediately after Ayatollah Ruhollah Khomeini, Iran’s spiritual leader in 1989, called for his execution by proclaiming a fatwā on the writer, after the controversial treatment of Islamic history and the Prophet Muhammad in The Satanic Verses. PEN American, by the way, accepts donations online.
“I hate to break it to you but everyone does not, in fact, have a book in them.” For The Outline, literary agent Kate McKean writes about the difference between good stories and good books—and what it takes to write the latter. Pair with: an essay on the books that fight back
In the Times, Dwight Garner reviews the new edition of Bartlett’s Familiar Black Quotations, a compendium of quotes from notable black writers dating from ancient times to the present. Among other figures, Thurgood Marshall, Ralph Ellison, Zora Neale Hurston and Cory Booker all have quotes in the book.
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It’s Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
Three cheers for Jim Crace, who just took home the 20th annual IMPAC Dublin Literary Award! If you remember our coverage of the shortlist, you’ll know that the Harvest author beat out TransAtlantic author Colum McCann and Americanah author Chimamanda Ngozi Adichie, among others.