The New Yorker has published the chapter of Salman Rushdie’s forthcoming memoir, Joseph Anton, that describes the circumstances of his life immediately after Ayatollah Ruhollah Khomeini, Iran’s spiritual leader in 1989, called for his execution by proclaiming a fatwā on the writer, after the controversial treatment of Islamic history and the Prophet Muhammad in The Satanic Verses. PEN American, by the way, accepts donations online.
The Threat of Death
Tastes Like Nostalgia
“Titles hitting shelves in the coming months are both updating heirloom recipes for a modern age, and modern kitchens, and bringing untouched dishes back into the spotlight.” Publishers Weekly highlights the resurgence of retro cookbooks as well as upcoming titles that put contemporary spins on vintage recipes. From our archives: Hannah Gersen‘s list of literature masquerading as cookbook.
No-Bull Bourbon Reviews
It’s about an hour away from 5 o’clock over here, so that gives you plenty of time to read Chris Newgent’s “No-Bull Bourbon Review” on Hobart’s website. “A true bourbon,” Newgent writes, “is a bourbon with a story worth remembering.” Agreed. And so would Walker Percy.
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“Yesterday / Is two days before tomorrow”
Recommended Reading: “Yesterday,” Haruki Murakami’s new piece in The New Yorker. (I’ll give you one guess to name the band it’s about.) And speaking of Murakami, his latest novel has an official book trailer now.
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What Should Fiction Do?
Bonnie Nadzam asks us what should fiction do? “An artistic practice that perpetually reinforces my sense of self is not, in my mind, an artistic practice.”
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