The New Yorker has published the chapter of Salman Rushdie’s forthcoming memoir, Joseph Anton, that describes the circumstances of his life immediately after Ayatollah Ruhollah Khomeini, Iran’s spiritual leader in 1989, called for his execution by proclaiming a fatwā on the writer, after the controversial treatment of Islamic history and the Prophet Muhammad in The Satanic Verses. PEN American, by the way, accepts donations online.
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press's Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there's yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.
What's the best book Mary Roach has read recently? Tim Johnston's first novel, Descent: "I read the last 30 pages in an airport, 10 feet from the gate, and did not notice the boarding announcements. I missed my flight for literature." Bonus: Here's Roach's interview with The Millions from a couple of years back.
Anthony Domestico interviews C. E. Morgan about her second novel, The Sport of Kings, one of the most anticipated books of 2016. As she puts it, “Every aspect of the novel is–or should be—an arrow pointed towards its ultimate meaning, or a multiplicity of possible meanings.”
Norris Church Mailer, widow of Norman Mailer, died yesterday at 61 following a long battle with cancer. Mark Olshaker, president of the Norman Mailer Society, wrote: "She was the pilgrim soul who captured and won Norman’s heart and mind and who shared with him the last three decades of his life."
This fall, Marilynne Robinson will mark her return to a fictional plains town in Iowa with the publication of Lila, the third novel in her Gilead series. Expect the novel to be featured in our forthcoming Great Book Preview, but if you can’t wait until then, you’ve got to check out FSG’s exclusive excerpt from the book.
What’s the deal with all the fake birds animated into fantasy and sci-fi films these days? According to Brian Thill, these digital flocks “aren't just there to make the unreal scenes feel a bit more real” but are rather signifiers of “our oldest and most common metaphor for freedom.” What to make of their ability to evade disaster or succumb to it, however, is another story entirely.