Suddenly, a Knock on the Door author Etgar Keret shares “Ten Rules for Writers” with Rookie.
Hear what everyone has to say but don’t listen to anyone (except me).
The Leonine Vladimir Sorokin
Now online: PEN World Voices video of Keith Gessen interviewing Vladimir Sorokin, author of the just-released Ice Trilogy and Day of the Oprichnik. I was a little nonplussed by the Times' decision to begin its profile of Sorokin with a discussion of his hair, but really...it is quite something. Come for the mane, stay for the acerbic insights.
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How Does It Feel / To Wait for a Release Date?
A release date for D’Angelo’s long-anticipated Voodoo follow-up is due any day now, so I really recommend checking out Amy Wallace’s stellar profile of the artist to stoke your interest.
Memoir and Literature
“I’ve always loved memoir, but it’s still seen as such a trashy genre and I wanted to speak to it as actual literature because that’s how it feels to me.” Mary Karr sits down with The Rumpus to discuss The Art of Memoir. We recently posted an excerpt from and a review of the book.
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Unfinished Work
At the Fiction Writers Review, Robin Black sits down with contributor and Year in Reading alumna Nichole Bernier. The two discuss, among other things, Bernier’s new novel, The Unfinished Work of Elizabeth D., as well as novels in which lengthy sections feature characters reading journal entries. (Bernier calls them “funhouse mirrors.”)
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Writing Indifferently
How was Charlotte Brontë at 8? According to her school reports, she "'[wrote] indifferently' and '[knew] nothing of grammar, geography, history, or accomplishments". Of course, she went on to write Jane Eyre, and as The Guardian points out, many a famous writer received middling reports in school, so maybe there's hope for other "indifferent' writers.
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Between Imitation and Plagiarism
"Language on a daily basis is being recycled. Our students are learning the language of the old and new masters; they are taking them in, mixing their words with the language they know, creating something new. Yet something there remains. Something familiar. Something like a forgotten first kiss. Like a well-known song sung in a different language." Ira Sukrungruang on "Thirteen Ways of Looking at Deep Reading and Mimicry, With an Ending that Totally Plagiarizes Wallace Stevens." After all, who doesn't want to plagiarize Wallace Stevens?
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I always dislike the “rules for writers” tripe, but these are the truest things I’ve read by any writer on the act of writing.