Suddenly, a Knock on the Door author Etgar Keret shares “Ten Rules for Writers” with Rookie.
Hear what everyone has to say but don’t listen to anyone (except me).
A Hypothetical Country
You never need an excuse to read new words written by Edwidge Danticat, but in case you did, here’s an excerpt from her introduction to the forthcoming edition of James Baldwin’s classic, semi-autobiographical novel Go Tell It On A Mountain.
●
●
●
●
Annals of fashion history
On Fred Perry and Lacoste tennis shirts: “Two shirts named after athletes who excelled in a sport that is generally played and enjoyed by people with the leisure and money for expensive lessons and court time.”
●
●
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
The New RIP
Is death “in” as a topic? It may seem like a ridiculous idea, but Lorraine Berry has evidence to back it up. She argues, using Benjamin Johncock’s The Last Pilot, among others, as proof, that mourning and grief are enjoying a bit of a renaissance.
Party Animals
“The point of a party is to make us forget we are solitary, wretched and betrothed to death; in other words, to transform us into animals.” Michel Houellebecq offers some handy tips, over at The Believer. Pair with this Millions review of Houellebecq’s The Map and the Territory.
Stein Squared: Object Lessons
Paris Review editor Lorin Stein was interviewed for Days of Yore. Topics include: the “perverse power” of editing your parents’ work; his rise through the ranks of NYC publishing; and the new story collection, Object Lessons. Elsewhere you can check out his “five favorite short story collections.” And, in case you missed it, be sure to check out our own Bill Morris’s interview with Paris Review deputy editor Sadie Stein (no relation) about the Object Lessons collection as well.
●
●
“The point is not satisfaction”
“The peace may be holding, but the process is faltering,” writes Colum McCann, forty years after the Dublin/Monaghan bombings, in his evaluation of Ireland’s present relationship with the “Troubles.” “It is, of course, naïve to expect total reconciliation,” he continues. “Some grievances are so deep that the people who suffered them will never be satisfied. But the point is not satisfaction — the point is that the present is superior to the past, and it has to be cultivated as such.”
●
●
I always dislike the “rules for writers” tripe, but these are the truest things I’ve read by any writer on the act of writing.