Christopher Higgs was teaching Grace Krilanovich’s The Orange Eats Creeps, and one of his students was inspired to make a mixtape featuring “the twisted, crusty, and often sublime characters found within the novel.” (The book, by the way, was one of my selections for Year in Reading last year.)
“A quick scan of the literature shows that the writerly gaze has been most often turned on male artists and their creative processes and passions.” Claire V Mullins aims to redirect this gaze with a list for Electric Literature of 11 novels about female artists, including Zadie Smith‘s latest, Swing Time, which we reviewed last year. Related: Elizabeth Silver on the rise of strong female characters and the death of the literary ingénue.
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
When you’re trying to keep up with the best new writers out there, it’s easy to forget the debt we owe to the classics. So let’s go back to the beginning: Why Homer Matters, a new book by Adam Nicholson on the father of all poets, explores the question of who Homer was, and whether or not he was even one person. You could also read Frank Kovarik on the parallels between The Odyssey and Toni Morrison’s Beloved.