Orhan Pamuk paints a nightmarish picture of the land laid bare when the Bosphorus dries up.
Out this week: LaRose by Louise Erdrich; The Fox Was Ever the Hunter by Herta Müller; The Pier Falls by Mark Haddon; The Noise of Time by Julian Barnes; Allegheny Front by Matthew Neill Null; The Loney by Andrew Michael Hurley; Just Life by Neil Abramson; and The Selected Letters of John Cage. For more on these and other new titles, go read our Great 2016 Book Preview.
"It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for 'Camera Obscura' shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)" John Colapinto looks at Nabokov's retranslation of Laughter in the Dark for The New Yorker.
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it's necessary to read Whitney's article alongside Carolyn Kellogg's piece in the LA Times, which notes how "the threads of the article ... become unsupportably tenuous" as it carries on.