Orhan Pamuk paints a nightmarish picture of the land laid bare when the Bosphorus dries up.
“It’s funny how as an author, I rarely notice what seems so obvious to other people: that I have obsessions and will write about them endlessly. Sad, lonely, self-loathing guy? Mid-20th and 21st century literature loves to write about that guy, and so do I. Reckless, self-aggrandizing, narcissist man? I like to write about him, too, though of course they are the same person. A person whose energy compels people to orbit him—family, friends, underlings, women.” The Rumpus talks with Woke Up Lonely author Fiona Maazel (who’s written for The Millions).
A tipster has pointed us to a mention of what seems to be a new Dave Eggers novel on the back cover of a catalog from a Dutch publisher. the title translates loosely to A Hologram for the King. A description from a Dutch bookselling site (again translated poorly by Google Translate) suggest that the book will follow an American in Saudi Arabia where he tries to sell holographic technology to King Abdullah. We’ve seen no other mentions of this book anywhere, and so far McSweeney’s hasn’t responded to our questions. Anyone out there know more?
This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.