Let’s play a game: a “lazy Sunday” version of a Choose Your Own Adventure novel. Ready? Good. Imagine you’re hanging out with Junot Díaz today. What do you want to do? Select Option A to go barhopping. Select Option B to go comic book shopping. Select Option C to read an excerpt from his new book, This Is How You Lose Her. Or Select Option D to read Leah Hager Cohen’s review of the collection. There is no wrong answer.
Yet another open archive for your summer reading enjoyment: the Baffler (“the Journal that Blunts the Cutting Edge”), as part of a website redesign, has made available its entire back catalog of commentary and fiction. Might I suggest starting with this now-charmingly-antiquated piece on marketing to the youthful “hipster” generation? (The Paris Review has other suggestions. It’s hard to go wrong.)
On Monday we mentioned that the MTA has started offering free e-books underground as part of its Subway Reads program, but they weren’t the first to make books an integral part of the public transit experience. London’s Books on the Underground was first, but then came a more interesting development in Australia: book ninjas. Books on the Rails is a gonzo experiment started by two Melbourne residents who began releasing free books – actual, paper books – into the wilds of the city’s tram system. About 300 books are currently in circulation in what’s possibly the world’s most open lending library.
“The appropriate term for what both [David Foster] Wallace and [Roger] Federer did, however, perhaps isn’t synthesis; more apt would be the Hegelian term, aufheben, which can mean a great many things – to lift up, to abolish, to cancel, to suspend, to sublate, to preserve, to transcend – all at once, where two existing terms are abolished, sublated, transcended by way of the orchestration of a collision between them, out of which a new term emerges, which then itself goes in search of a partner with which to collide.” A really fantastic review of David Foster Wallace’s String Theory from 3:AM Magazine.
“Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.” An essay in the Boston Review argues the importance of Philip K. Dick‘s literature— where the real and fake intersect and collide — and the world we live in today. From our archive: on the pleasures of Dick’s sometimes awful prose.
The Times is reporting that a new film and companion book (Salinger by David Shields and Shane Salerno) “include detailed assertions that Mr. Salinger instructed his estate to publish at least five additional books — some of them entirely new, some extending past work — in a sequence that he intended to begin as early as 2015.” One of the books is said to include a retooled version of Salinger’s unpublished (but available at the Princeton library) story “The Last and Best of the Peter Pans.” Kristopher Jansma (The Unchangeable Spots of Leopards) wrote about the story for us in 2011. Bonus Link: Garth Risk Hallberg on Salinger’s legacy.