Let’s play a game: a “lazy Sunday” version of a Choose Your Own Adventure novel. Ready? Good. Imagine you’re hanging out with Junot Díaz today. What do you want to do? Select Option A to go barhopping. Select Option B to go comic book shopping. Select Option C to read an excerpt from his new book, This Is How You Lose Her. Or Select Option D to read Leah Hager Cohen’s review of the collection. There is no wrong answer.
Equal parts voyeuristically indulgent and unapologetically stimulating, Unpacking My Library: Writers and Their Books is the second installment in Yale University Press’s ongoing series, a journey into the personal libraries of thirteen favorite authors. This installment? Alison Bechdel, Stephen Carter, Junot Díaz, Rebecca Goldstein, and more.
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks -- My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead -- are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)
Ben Yagoda provides a step-by-step recount of the 1959 British obscenity case over Lady Chatterley’s Lover, and every noted literary name from Graham Greene to Evelyn Waugh to T. S. Eliot who weighed in: “The whole thing was very well stage-managed with a splendid cast.”
New Directions has just released The Complete Stories of Brazilian legend Clarice Lispector, newly translated by Katrina Dodson and edited by Benjamin Moser. There are eight stories in the collection that had never before appeared in English: "Covert Joy," "Remnants of Carnival," "Brasília," "Beauty and the Beast or The Big Wound, "One Day Less" (one of the two final stories left in manuscript at Lispector's death), "Gertrudes Asks for Advice," "Another Couple of Drunks," and "The Escape." Check out Magdalena Edwards's Millions review of the collection.