Let’s play a game: a “lazy Sunday” version of a Choose Your Own Adventure novel. Ready? Good. Imagine you’re hanging out with Junot Díaz today. What do you want to do? Select Option A to go barhopping. Select Option B to go comic book shopping. Select Option C to read an excerpt from his new book, This Is How You Lose Her. Or Select Option D to read Leah Hager Cohen’s review of the collection. There is no wrong answer.
Eccentric celebrity chef José Andrés (who should be familiar to fans of No Reservations) has an enviable library of cookbooks and volumes of food history. He even owns a notepad of Honoré Julien’s (Chef for both George Washington and Thomas Jefferson) which allegedly proves the Frenchman introduced French fries to America.
Following the launch of a new £10,000 “innovative” literary prize by Goldsmiths College and the New Statesman, Chad Post takes a look at the current state of American literary awards. His opinion? “America is The Worst for trying to equate popularity with quality.”
“Good political poems, outlive the events that shape them… they lead strange lives.” One such poem, written after a pogrom 100 years ago, has since been translated by Palestinian resistance leaders, and more recently claimed as “Israeli” by PM Netanyahu. Some of the most notable works of the genre have been collected by Poetry. New projects in political poetry I’m excited about: online journal Matter Monthly, and Rattle’s Sunday column for a political poem addressing events of that week.
New this week: Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie; The Visiting Privilege by Joy Williams; The Lost Landscape by Joyce Carol Oates; This is Your Life, Harriet Chance! by Jonathan Evison; Cries for Help, Various by Padgett Powell; and Above the Waterfall by Ron Rash. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
“I wanted to be able to approach the subject from many different angles, not just the one most people think of when they think of war: an infantryman with a rifle killing the enemy. What does one make of one’s moral responsibility for killing when you’re part of a crew-fired-weapon whose rounds strike miles away, when you’re not even sure if you have killed people or how many? What about when you’re a chaplain trying to influence policy, or a psychological operations soldier trying to help shape the battlefield?” Phil Klay, author of the National Book Award-winning collection Redeployment, on modes of storytelling and on the psychological difference between citizens and veterans.