With the movie adaptation of The Great Gatsby slotted to come out next summer and Anna Karenina due out in late November, film critic Richard Brody looks back at some of his favorite movies based on literature and proposes what makes an adaptation successful.
“Turning one’s novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.” – Nabokov
Hugh Grant in Cloud Atlas
Hugh Grant is the latest actor to join the cast of the move adaptation of David Mitchell's Cloud Atlas.
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DFW Interview from Russia
The NYRB blog unearths a 2006 interview with David Foster Wallace by a Russian journalist. "I will probably at some point finish a novel. Whether it will be good enough to publish, I don’t know."
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The Correspondence of Nabokov and Wilson
The correspondence of Vladimir Nabokov and the critic Edmund Wilson suffered from Wilson’s inability to appreciate Nabokov's work. But by the spring of 1950, illness had affected both men to the point where a skilled correspondent in the ways of the U.S. mail became “a panacea to pain.”
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Rhyme Time
Now this is a headline for the ages: “‘Self-Harmers are Not Just Depressives’: Writing a Book About Cutters Who Cook.” (Incidentally, the book in question is Jessica Soffer’s Tomorrow There Will Be Apricots, which we covered last week.)
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Whoreallyknows?
“There are two extreme views about punctuation … the first is that you don’t actually need it because it’s perfectly possible to write down what you want to say without any punctuation marks or capital letters and people can still read it youdontevenneedspacesbetweenwordsreally. The second view is that punctuation is essential, not only to avoid ambiguity but also because it ‘shows our identity as educated people.’” Here is Adrienne Raphel from The New Yorker with a history of punctuation in the internet age.
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