Four days ago, The New York Times exposed the practice of purchasing five-star reviews on Amazon. So far, few have offered solutions. A Reddit user explains how to properly read Amazon review graphs through the cloud of purchased hype. Erin Keane calls for independent writers to hold themselves to higher standards.
Theoretically, it pays to get a novel on Amazon’s best seller list. In reality, though, a bestselling novel doesn’t make as much in cold hard cash as you’d think.
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov's Speak, Memory and considers "the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order." Pair with our own Garth Risk Hallberg's piece on reading Ada, or Ardor.
Neurotic writers or friends-of-writers are likely to have asked themselves an uncomfortable question: do the writers I know use my foibles for material? At The New Statesman, Oliver Farry lists a number of proofs that they do, citing Dante’s Inferno, Madame Bovary and Beckett’s debut novel Murphy.
Year in Reading alum Maud Newton has a new short story up on Medium. Titled “Nobody’s Stranger,” the “Miami noir love story” somewhat wonderfully features a bar, “the most incongruous bar in Little Haiti,” in which the patrons are mostly “aging emo kids and British soccer fans and overweight burlesque enthusiasts.”