Did you dig Mark O’Connell’s review of Martin Amis’s Lionel Asbo so much that you yearn for more? Well, here’s the author’s interview with Capital, and here’s Parul Sehgal’s take on how the book’s “taut mousetrap ready to go off” sadly “never snaps.”
Once more about Martin Amis, dear friends, once more
Sweet peas rejoice!
Dear Sugar is back in action after a few months break from her advice column. And thank heavens, because reading this #LitBeat about an event in her honor over and over just wasn’t cutting it anymore.
Digital (and Australian?) Shakespeare
Now that the Folger Shakespeare Library is working to digitize the complete works of the bard, it’s worth asking the question, just what did that dude sound like?
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Tuesday Links: Power, ReCaptcha, Junot Diaz
Experience “THE POWER OF BOOKS“You know those annoying puzzles where you type in the letters so the computer knows you’re not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these “Captchas” to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you’re not a computer, you can help some other computers digitize our books.I missed Junot Diaz’s appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
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The History behind The Secret History
In 1986, six years before the publication of The Secret History, Donna Tartt was chosen as the student speaker of her graduating class at Bennington College. A typewritten copy of the speech was recently unearthed, in which she looks back upon her education and the college campus that inspired her first novel. Pair with this comprehensive list of the artworks in Tartt’s The Goldfinch.
Claire Messud on the Value of an Ordinary Life
The author discusses social media, finding hope in art, and her new essay collection, Kant's Little Prussian Head and Other Reasons Why I Write.
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Fiction or Defamation?
The novel that had Scarlett Johansson filing charges of “fraudulent and illegal exploitation of (her) name” is due out next month in its English-language iteration. The First Thing You See by Grégoire Delacourt is ostensibly about a garage mechanic who ends up falling for a Johansson lookalike. For more on the legality of literature, here’s an essay for The Millions on J.D. Salinger and U.S. copyright.
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Deep, Hungry Gulps
“My idea of the ideal literary dinner party remains locking a book under my left wrist while conveying risotto to my mouth with my right at the kitchen table.” Stacy Schiff talks literary dinner parties and more in this week’s New York Times By the Book column. Schiff’s latest, The Witches: Salem, 1692, is out this week.
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Discussing Book Design with Jamie Keenan
James Cartwright caught up with London-based book designer Jamie Keenan to discuss his work and his process. (Related: How do American book covers stack up against their counterparts from across the pond?)