Did you dig Mark O’Connell’s review of Martin Amis’s Lionel Asbo so much that you yearn for more? Well, here’s the author’s interview with Capital, and here’s Parul Sehgal’s take on how the book’s “taut mousetrap ready to go off” sadly “never snaps.”
"I was enrolled in a writing program to imagine a cultured life, not just to dream about the rewards of being a writer." Rigoberto González for Publisher's Weekly on why he attended and later returned to teach at a M.F.A. program.
New this week: The Brunist Day of Wrath by Robert Coover; Frog Music by Emma Donoghue; Off Course by Michelle Huneven; And the Dark Sacred Night by Julia Glass; Worst. Person. Ever. by Douglas Coupland; The Ballad of a Small Player by Lawrence Osborne; Love & Treasure by Ayelet Waldman; and The Empathy Exams by Leslie Jamison. For more on these and other new titles, go read our Great 2014 Book Preview.
"[G]uess what, spending hours of your spare time plowing through some dense and symbol-laden carnival of affectation and ambiguity only makes you resentful of the publishing industry that pushed the book on you in the first place." Alex Balk at The Awl takes the piss out of recent studies that have suggested reading literary fiction might make us better people. Writer John Vaillant, whom we interviewed last year, might disagree.