“Because with Helen DeWitt, everything is physical.”

“The notion that American literature might have an imperial bent—that it might be anything other than a string of lightly co-influential works of ‘imaginative power,’ and might itself reflect our national desire to dominate—is lost on its critics, both right and left.” Jonathan Sturgeon in The Baffler on American exceptionalism and “the imperial self” in fiction, with particular attention paid to the work of two other Jonathans, Franzen and Safran Foer.

“Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one.” Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer’s prolific 2017 Year in Reading entry.

The NYRB blog unearths a 2006 interview with David Foster Wallace by a Russian journalist. “I will probably at some point finish a novel. Whether it will be good enough to publish, I don’t know.”

This week, Football Book Club is taking it to the next level: They’re reading Maggie Nelson’s The Argonauts and posting about Allie Brosh’s Hyperbole and a Half. If you’re keeping score at home, that means this week is All Brosh, All the Time. Also, as per usual, they will not be watching the NFL and not liking it one bit.

“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.