Lightning Rods author (and occasional Millions commenter) Helen DeWitt has a story entitled “Recovery” featured in Electric Literature’s Recommended Reading series. Don’t miss the “single sentence animation” video for it, either.
“Because with Helen DeWitt, everything is physical.”
“I made up ice bats, there is no such thing.”
Anne Carson sits down for a profile with the New York Times, and the results are anything but traditional.
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Smells Like Teen Dispirit
“I saw it as a breath of fresh dark honest night air. I could live in my grief and be weird in my grief.” A.N. Devers writes about her love of Twin Peaks for Longreads, situating the show within her contemporary experiences of losing her grandparents and her girlhood.
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Gaze Turned Inward
Many if not most painters attempt self-portraits at some point, but how many of them paint self-portraits exclusively? At The Morning News, a gallery of self-portrait maven Haley Hasler’s work.
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Poet Claudia Rankine Narrates the S. Bronx
The L Magazine features an interview with poet/multi-genre artist Claudia Rankine, whose performance piece The Provenance of Beauty: A South Bronx Travelogue — a Rankine-written-and-recorded narrative that accompanies a bus ride through the South Bronx — will run for two months beginning Labor Day Weekend.
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Editors on Deck
Adweek engages in a little inside-baseball speculation, wondering who would be in line to take over at, say, the New Yorker if David Remnick were to step down and who might be next in line for Graydon Carter’s gig at Vanity Fair?
Baby, You Can Drive Murakami’s Car
When The Beatles made Rubber Soul, the band probably didn’t realize it would inspire some of the greatest contemporary fiction. First, Haruki Murakami named his novel Norwegian Wood. Now, “Drive My Car” inspired his new short story. Bungeishunju published the story today, but English readers are still waiting on the translation. Until then, we can always listen to the album. Pair with: Our essay on the soundtracks behind books.
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Visions Beyond Imagining
“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
Oddest Book Titles
Attention! The finalists for the 2016 Oddest Book Title of the Year award have been announced — my personal favorite has to be Reading From Behind: A Cultural History of the Anus. Pair with the ever exciting Bad Sex in Fiction award and you’ve got yourself your own little literary Oscars party.
It really is her commenting? How wonderful. I just finished and loved “Lightning Rods,” but I assumed the name here was a coincidence or tribute.
Holy shit, that was depressing.
Now what.