Jon McGregor has won the International Impac Dublin Literary Award, otherwise known as the richest literary prize in all the land*, for his novel Even the Dogs. To check out the rest of the pool, you can revisit our coverage of both the long and shortlist for the prize. (McGregor’s tweet about this whole affair was pretty grand, by the way.) [*Ed note: a reader in the comments below has disputed this claim.]
McGregor Takes the IMPAC
Captain Pentagon
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”
A History of Resilience, Documented by Keum Suk Gendry-Kim
Fatherless Fiction
Recommended Reading: Nicole Krauss’s new short story, “I Am Asleep but My Heart Is Awake,” at The New Republic. “My mother had died when I was three. We had already dealt with death, in our way we’d agreed to be finished with it. Then, without warning, my father broke our agreement.”
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You Are Not the Reader
Whether it’s the new compound word “babymommas,” the Mortal Kombat reference, or the phrase “skeedaddle face smash,” I feel compelled to recommend to you this story in PANK, which takes the form of several letters addressed to Maury Povich.
On WTF Moments
At The Space Review, which bills itself as an online journal devoted to the final frontier, Jeff Foust takes a look at The Pioneer Detectives, our new e-book by Konstantin Kakaes. The verdict? “It’s a fascinating reminder of how complex and challenging the scientific process can be.”
Bart the Streamer
Following the news that The Simpsons will now be available for online streaming for the first time, Myles McNutt makes the case that the world needs a Simpsons Clip Database. He justifies his sentiment by pointing out that “in a world where Simpsons references are a language for a certain generation, the ability to stream this content has tremendous value, and could push use of an app that otherwise would struggle to compete with services like Netflix.”
I don’t know why everyone says it is, but the IMPAC isn’t the world’s highest-paid lit prize. Have you heard of the Nobel? (see also, many more here: http://en.wikipedia.org/wiki/List_of_the_world%27s_richest_literary_prizes) . Really, McGregor should feel pretty hard done by…
Thanks for pointing that out, Tom. I’ve updated the post. I’ll admit that I’d always repeated the claim, despite knowing about the Nobel’s higher award, because I figured there was some manner of technicality involved. Going through the list on Wikipedia, my first suspicion was that the Impac was the only one open to a global field of authors, or that perhaps the more lucrative prizes were enacted (or had money added to them) after the Impac had already been set up. I don’t really believe that’s the case, so now I’m wondering why the claim’s been circulating, too.
The Impac website claims that the prize is the largest “of its kind.” As someone who doesn’t know much about the other prizes on that Wikipedia list (other than the Nobel, which doesn’t apply to what I’m about to say), perhaps that means it’s the most lucrative international prize set up with the longlist/shortlist format. (The Nobel’s a wild guess for everybody until it’s awarded each year.)