One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
A new study out of Stony Brook University employs a complex statistical model to figure out what makes a book successful. Judging books on the basis of Amazon sales, awards won and Project Gutenberg downloads, the scientists determined that successful books have a higher-than-average ratio of self-references, prepositions and coordinating conjunctions. Unsuccessful books, on the other hand? A high ratio of adverbs and location markers.
"Chris Lloyd adores a minuet / the Ballets Russes and crepes suzettes / but Foucault loves to rock n' roll / a hot dog makes him lose control... what a crazy pair!"James Yeh and a plate of Korean barbecue co-star in: My Dinner with Shteyngart.Deborah Eisenberg reads Wells Tower.Open Letters Monthly looks at Landscape in Concrete, a lost classic from the World War II-era featuring a not-so-ÜbermenschWhat planet are translators from? Paul Verhaeghen spills the beans, in remarks from the PEN festival, (via Three percent)Novelist David Francis, guest-posting at TEV, pits the writer's interests against those of the publishing industry.W.W. Norton "friends" the Dalkey Archive.Richard Ford tells Nam Le, "Giving a colleague a bad review is like . . . seeing a hitchhiker and rather than picking the hitchhiker up, you run over him."The Second Pass reappraises Denis Johnson's 1983 Angels (whose characters reappear in Tree of Smoke).Finally, a piece on Reif Larsen's T.S. Spivet that doesn't mention the size of his advance.After only a year, Wyatt Mason's fine Sentences blog reaches a full stop.An amazing and cute fashion blog from a 13-year-old.The indie bookstore tour writ large: novelist Mark Fitten is visiting 100 indie bookstores and writing about it. (via Maud)Wikipedia find of the week: The Jimmy Carter rabbit incident
● ● ●
David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving... robotically.
Bret Easton Ellis and Paul Schrader are using Kickstarter to raise $100,000 for an indie movie entitled The Canyons. The film “documents five twenty-something’s quest for power, love, sex and success in 2012 Hollywood,” and, if you donate $5,000, Ellis will provide notes on your novel. According to New York, this Ellis-Schrader film is not to be confused with their other one about sharks, alluded to most recently by Ellis in his Paris Review interview (Reg. Req.).
“None of us made love, we had only reproaches for one another. I hated that dependency and yet I couldn’t live without it.” This short piece by Mercè Rodoreda from the new issue of Harper’s Magazine is brutal and surprising. The piece is an excerpt from Rodoreda’s War, So Much War, out later this month.