Philosopher and flower hater Slavoj Žižek comes late to the “let’s discuss The Wire‘s greater cultural significance” party, but he does bring some excellent points with him. For the record, he doesn’t believe it’s the greatest TV series of all time. And the entire thing is worth hearing if only for an in-depth analysis of this [NSFW] scene.
Žižek’s Take on Baltimore
2012 Costa Award Finalists Announced
The 2012 finalists for the Costa (formerly Whitbread) Book Awards have been anounced. In the “Novel” category, they are Bring up the Bodies by Hilary Mantel, Life! Death! Prizes! by Stephen May, The Heart Broke In by James Meek, and Days of the Bagnold Summer by Joff Winterhart. The Costa site has lists of the nominees in all categories.
Breakfast at History’s
The evolution of the celebrity profile should be divided into two eras, one pre- and the other post-T.C.: Truman Capote.
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Lux Fiat
“Language is more direct, open, unself-conscious, precise, and human. It doesn’t belong to me anymore but to the atmosphere, and this makes me happy.” Henri Cole on having his poetry projected onto buildings by Jenny Holzer.
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Literary Translators are Winners
The American Literary Translators Association has announced this year’s recipients of the National Translation Award. Prose honors went to William M. Hutchins’s translation from the Arabic of Ibrahim al-Koni’s The New Waw: Saharan Oasis, and the poetry winner was Pierre Joris’s translation from the German of Paul Celan’s Collected Later Poetry.
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Punch Back with Books
“If you have a story to tell the world, please consider improving your craft and seriously pursuing publication. Your voice matters; add it to the narrative.” A list of “bookish ways to fight the good fight” from BookRiot.
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The Summer People
Over at Longreads, Carrie Frye writes on the homonymous short stories of Shirley Jackson and Year in Reading alumna Kelly Link. Also check out this Millions interview with Link.
Thinking of pitching 33 1/3?
If you’ve ever thought you’d like to write a book on a beloved album for the 33 1/3 series you might find RJ Wheaton’s reflections on the pitch process of definite interest. For the record, he wrote the one on Portishead’s Dummy.
Chance Meetings
In 1817, the painter Robert Benjamin Haydon invited several guests over for what he called an “immortal dinner.” Why the bombastic name? The guests included Keats and Wordsworth, whom Haydon wished to introduce to each other. In the WaPo, Michael Dirda takes a look at The Immortal Evening, a new book about the event by Stanley Plumly.