The documentary about Tropic of Cancer author Henry Miller, Asleep and Awake (NSFW), was filmed almost entirely in Mr. Miller’s bathroom. The filmmakers, according to the folks at Open Culture, “use[d] these bathroom walls as a gateway into his mind.”
Henry Miller: Asleep and Awake
In Defense of Criticism
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
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Witt on Einhorn
In Emily Witt’s last piece (she got a book deal) for the New York Observer, she profiles Amy Einhorn and her self-named imprint. (via)
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New Quarterly Conversation
In the new Quarterly Conversation, among other pieces, Jordan Soyka endeavors to answer the question, “How do we decide who owns the right to write about Hurricane Katrina?”
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Blurbing for Laughs
dear Danez Smith
“But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief.” The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don’t Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
Translated Books Giveaway
Those who donate to The Center for the Art of Translation get a chance to receive books signed by a pair of the top translators working today, Natasha Wimmer and Breon Mitchell.
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Hatchet Man
“Book reviews are another matter, because a bad review has the potential to be far more adversarial: one writer spending years on a book, one reviewer spending days reading it, and a lasting relationship being created between the two in print. Or, perhaps, a history between the two that lends the review a particular piquancy.” An exegesis of the good bad review.
What a gift for storytelling he had. And listening to him speak illustrates sadly how we’ve lost the art of conversation. It makes me wish Warren Beatty had used all of Miller’s interview footage in Reds.