David Mitchell, when questioned about his language and genre experiments, particularly in Cloud Atlas and The Thousand Autumns of Jacob de Zoet, responds: “It’s a bit like asking a duck billed platypus if it should be considered a mammal or a bird.” The Millions also profiled Mitchell, though we never settled either way on the bird/mammal issue.
From word nerd to language animal
Coetzee on Murray
Millions favorite J. M. Coetzee analyzes “the angry genius” of Les Murray for The New York Review of Books.
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Beach Reads
From Ian McEwan to Iris Murdoch, The Guardian offers a list of the 10 best seaside novels. Pair with our own Mark O’Connell‘s account of a close encounter with John Banville, whose The Sea makes the #8 spot.
The Unwritten Novel
Recently, we featured five writers’ reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:”I could not resolve the conflict of a story that was not mine.”
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Shear Brilliance
Recommended Reading: An essay by novelist Siri Hustvedt on the cultural significance of hair from the forthcoming collection Me, My Hair, and I in The New Republic.
Koestler the Dangerous Intellectual
The Times Literary Supplement profiles Darkness at Noon author Arthur Koestler as an iconic “Dangerous Intellectual”: “‘My analysis … is: one third genius, one third blackguard and one third lunatic …’”
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“Save Us From Novelists”
“God save us from novelists who want to create role models.” Time Out New York has published a new interview with Eimear McBride, whose award-winning A Girl is a Half-Formed Thing was reviewed by our own Hannah Gersen for The Millions.
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Trigger Warning: Literature
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”
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I’d say his books are like birds because they allow the reader an aerial view of the landscape as you fly past hills and towns, ships and villages and peek into the windows of people’s inner lives.
I love his work!
kc