The first images from Joe Wright’s Anna Karenina motion picture adaptation are now online. Behold Keira Knightley as Anna, and Jude Law as Alexei! The film will release in the UK on September 7th.
Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.
Starting today and lasting until the end of the summer, The New Yorker is completely free online, including archives back to 2007. What to read? To start off, try searching the fiction page for, say, George Saunders. There’s that famous Lawrence Wright piece on Scientology. Or feel free to consult the magazine’s own roundup. But I happen to be most impressed by this grandaddy of all longform articles on six survivors of Hiroshima (subscription required).
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
One thing that pretty much everyone can agree on is that Go Set a Watchman is a controversial book. Our own Michael Bourne said it “fails as a work of art in every way except as a corrective to the standard sentimental reading of Atticus Finch.” At Slate, Dan Kois, Meghan O’Rourke and Katy Waldman debate the main questions the novel raised.
“I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born.” John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.