Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.
From Flavorwire: in 1970 William S. Burroughs teamed up with British cartoonist and painter Malcolm McNeill to “put together what they called a ‘Word/Image novel’ (the term ‘graphic novel’ had not yet been popularized) and shopped it to publishers. After seven years of trying to sell the new genre, Burroughs and McNeill gave up. Next year the work will finally see the light of day.”
Know a great title that’s not in our latest Book Preview? Tweet it using the hashtag #otherbooks2015. Coined by Steve Himmer — who’s written for us — the hashtag lets readers suggest noteworthy books that didn’t appear on our list. You can find even more additions in this Metafilter thread.