The Christopher Hitchens memoir, Mortality, a collection of essays based around the final pieces he wrote for Vanity Fair, now has an official U.S. release date of September, and the U.K. release date has been moved to coincide with that.
BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
"What made The Great Gatsby so great? Does everyone think he’s that great? Why?" Just in time for the back-to-school rush: essay questions from a teacher who didn't finish any of the required reading (a.k.a. McSweeney's).