Monologuist Mike Daisey was once devoted to Apple products. Then, one day, he “started to think, and that’s always a problem for any religion.” He began to question how his favorite products were put together, so he traveled to China with hopes of finding out. What he saw was shocking. If you own an Apple device (which I’m betting you do), you need to listen to this episode of This American Life.
“When it comes to the personal essay, we want so much and there is something cannibalistic about our desire. We want essayists to splay themselves bare. We want to see how much they are willing to bleed for us. This desire introduces an interesting tension for essay writers. How much should they bleed, and how much blood should they save for themselves?” Roxane Gay reviews Meghan Daum‘s The Unspeakable and reflects on the personal essay for The New York Times Book Review. Pair with our own Hannah Gersen‘s Millions review of the same book.
Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated–and will continue to generate–social novels of its own.
Out this week: Flood of Fire by Amitav Ghosh; Wind/Pinball by Haruki Murakami; The Marriage of Opposites by Alice Hoffman; Let Me Tell You by Shirley Jackson; Three Moments of an Explosion by China Miéville; The Girl Who Slept with God by Val Brelinski; Make Your Home Among Strangers by Jeanine Capo Crucet; and The Daughters by Adrienne Celt. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“I’ve turned paranoid lately. When I’m in an airport, I look at the people around me at the gate, trying to suss out who might make a good ally if things went bad. I carry two plastic tubs full of warm clothes, hiking boots, and first-aid supplies in the back of my Subaru at all times. I have as large a volume of canned and dry goods in my pantry and laundry room as the shelves will hold.” Rebecca Onion for Slate on the appeal and contagion of “prepper fiction.” Pair with our review of Claire Vaye Watkins‘s Gold Fame Citrus, one of the recent bumper crop of apocalyptic narratives.
“If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem.” At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.