Brontë for babies? Board books, those small, sturdy volumes with the glossy cardboard “pages” – generally featuring rounded corners so babies who are teething don’t cut their gums or poke out their eyes, are getting ludicrous. A new series, we’re told on the back covers, “is a fashionable way to introduce your child to the world of classic literature.”
In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature -- the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)
"I’ve turned paranoid lately. When I’m in an airport, I look at the people around me at the gate, trying to suss out who might make a good ally if things went bad. I carry two plastic tubs full of warm clothes, hiking boots, and first-aid supplies in the back of my Subaru at all times. I have as large a volume of canned and dry goods in my pantry and laundry room as the shelves will hold." Rebecca Onion for Slate on the appeal and contagion of "prepper fiction." Pair with our review of Claire Vaye Watkins's Gold Fame Citrus, one of the recent bumper crop of apocalyptic narratives.
Since we’re deep into the season of “year end” lists, here’s a list of ten great novels written by women that didn’t get a lot of critical attention this year. That isn’t to say that aren’t a ton of other books deserving of this distinction, just that these are some really good ones. Go list-crazy and pair with our own Year in Reading series.
“Thus it is our [feminists’] historical task ... to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.