Brontë for babies? Board books, those small, sturdy volumes with the glossy cardboard “pages” – generally featuring rounded corners so babies who are teething don’t cut their gums or poke out their eyes, are getting ludicrous. A new series, we’re told on the back covers, “is a fashionable way to introduce your child to the world of classic literature.”
“We always try to create the worst opinion of everything there is in the United States, as a response to what they have always done with us. The only difference is that we do not write falsehoods about the United States. I told you that we emphasize the worst things, that we omit things that could be viewed as positive, but we do not invent any lies.” This excerpted interview with Fidel Castro over at The Paris Review is enlightening for its candor and frankness.
“This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives.” Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
Chris Rose laments the erosion of his former employer, New Orleans’s Times-Picayune, in the pages of Oxford American’s New South Journalism issue. Meanwhile, James Pogue discusses the art of fact-checking, which he says “has recently become a voguish topic among the New Yorker-reading and NPR-listening set.” This is of course to say nothing of the London Review of Books-reading set across the pond as well, much less the Onion-reading set located far and wide.
The saying goes that “the road to hell is paved with adverbs,” but at Beyond the Margins Robin Black makes the opposite argument. “I want you to love adverbs,” she begins, but “more than that, I want you to believe, as I do, that adverbs are the part of speech that best captures the human condition.”