As e-books gain market share, publishers are gussying up book designs. Free Press vice president and publisher Martha K. Levin says, “the message [is] that even if you’re buying 90 percent of your books on your e-reader, this is the one that you want to have on your bookshelf.” The article highlights 1Q84 as an example of a successfully well-designed physical object, but if you haven’t seen a copy, check out Chip Kidd’s discussion of his work on the book.
Beautifying Books
I Worry That I Don’t Have a Title Yet
“I worry that people in the city where the novel is based will take issue, all kinds of issue, with it. I worry that readers will be like who cares.” Here are all the things you should be worried about while working on a novel, helpfully brought to light by Susannah Felts at The Literary Hub.
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A Frank Poet
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.
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Writers and Their Day Jobs
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.
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“The realization that none of us can ever be free from ourselves”
Mary Ruefle wrote an outstanding essay on her development as a writer. “I remember the first time I realized the world we are born into,” she writes, “is not the one we leave.”
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Everyone Sucks in Some Ways
Is it worth rediscovering Mary McCarthy? All the evidence points to yes.
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Jack White, Publisher
Recommended reading: Lauren O’Neal writes for the LA Review of Books about analog music, Millennial poetry and Jack White‘s foray into publishing.
I might only be the one here but I prefer the U.K. edition covers to Chip Kidd’s cover for the U.S. edition of 1Q84. No doubt Kidd’s design concept for the cover is brilliant (transparent jacket representing parallel worlds) but the end product with the faces and the slightly blocky artwork for the title doesn’t convey in me the sense of mystery and wonder I got from the story compared to the U.K. editions.