As e-books gain market share, publishers are gussying up book designs. Free Press vice president and publisher Martha K. Levin says, “the message [is] that even if you’re buying 90 percent of your books on your e-reader, this is the one that you want to have on your bookshelf.” The article highlights 1Q84 as an example of a successfully well-designed physical object, but if you haven’t seen a copy, check out Chip Kidd’s discussion of his work on the book.
Beautifying Books
(Don’t) Judge a Book by Its Cover
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
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Infographic: Shakespeare, Murder, and Pies
This week in book-related infographics: a look at the deaths and murders in Shakespeare‘s works. Our favorite illustration? The pies that once were Chiron and Demetrius (from Titus Andronicus).
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Les Deux Femmes Sur le Front
For a female war photographer and novelist who’s dealt with pink covers on her books, male colleagues who dismiss the Orange Prize and a publisher who titles her book Shutterbabe, it’s pretty rich to hear that our world is apparently “post-feminist.”
Take A Hike
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Covering Anna Karenina
We care quite a bit about book covers here at The Millions, hence our recent rounds of cover-judging. To honor the hundredth anniversary of Tolstoy’s death, Flavorwire has compiled a selection of Anna Karenina‘s many covers, and opportunities for judgement abound.
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Tastemaker
How do you make the jump from editing a food magazine to writing novels? It’s a tricky change to make, but Ruth Reichl did it, as she explains to Marnie Hanel in an interview in the Times. (Her first novel came out last week.)
I might only be the one here but I prefer the U.K. edition covers to Chip Kidd’s cover for the U.S. edition of 1Q84. No doubt Kidd’s design concept for the cover is brilliant (transparent jacket representing parallel worlds) but the end product with the faces and the slightly blocky artwork for the title doesn’t convey in me the sense of mystery and wonder I got from the story compared to the U.K. editions.