Q. R. Markham‘s heavily plagiarized book Assassin of Secrets somehow made it onto Kirkus Reviews‘ “2011 Best of Fiction” list. (Saved here in case they take it down.) Interestingly, the link doesn’t appear to lead anywhere. (via)
2011 Best of Plagiarism
Creative Person, Creative Life
"How is the life of a creative person—an artist, a designer, a composer—related to his or her work?" The New Yorker lists 7 archived pieces by way of answer.
Williams Reads “Stuff”
Recommended Listening: Joy Williams reads her story “Stuff” from The New Yorker’s July 25th issue.
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“A secret, writerly sympathy for the hoarder”
Adding to a review by Pamela Erens for The Millions, Zoë Heller reads Janet Malcolm’s Forty One False Starts for the New York Review of Books. Among other things, she concludes that the writer’s job, at least in Malcolm’s estimation, is “to vanquish mess." (You could also read a review in The Nation I wrote about a few weeks ago.)
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“Gallop[ing] terribly”
We’re nearing the halfway point in football season (have you done your reading?), so that means it’s time to revisit one of the finest poems ever written about the game: James Wright’s “Autumn Begins in Martins Ferry, Ohio.”
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Cultural Moments
“It took me ten years (four of writing, six of rewriting) to complete The Listener. Now ‘trans is trending,’ and the book has been published into this particular cultural moment, one I could never have envisioned twelve years ago.” Rachel Basch discusses writing in the context of social change at Lit Hub. Pair with our own Sonya Chung’s piece on literary activism.
They also list The Mighty Walzer by Howard Jacobson, which was reprinted this year but was written and first published over a decade ago!