Geoff Dyer, lately everybody’s favorite literary critic, reviews The Stranger’s Child, and tells us why Alan Hollinghurst, “the gay novelist, might also be the best straight novelist that Britain has to offer.” Hear, hear!
There are plenty of good reasons to read classic literature, but Mary Beard reminds us that there's a different kind of classic that's worth revisiting and questioning. "You do the ancient world much greater service if you keep arguing with them.”
Legally sampling songs on a hit record is astoundingly expensive. As Kembrew McLeod and Peter DiCola note in Creative License: The Law and Culture of Digital Licensing, the Beastie Boys would have lost $19.8 million dollars because of Paul's Boutique. (via BoingBoing)
"Thinking about her life is like sifting ashes. You believe you see the clear outline of a message, but it inevitably disintegrates before you can be sure of its sense. The mantle of a 'rediscovered writer' has never settled firmly around [her] shoulders; she has a way of resisting the platitudes of remembering." Michelle Dean on the writer Nella Larsen.
“To age is to understand that the powers of total recovery are gone, are no longer anticipated (except by those who, having lost their marbles, no longer know what to anticipate).” The epistolary legacy of writers such as Samuel Beckett, Saul Bellow, and Elizabeth Bishop offers invaluable insight into the process of growing older, writes Robert Fay for The Atlantic. See also our own Lydia Kiesling on the narrative possibilities of leaked emails.
Getting a director for Stephen King's The Stand was almost as difficult as surviving the virus. The latest director to try is Josh Boone, who is no stranger to adaptations because he's bringing The Fault in Our Stars to screen. To brush up on your King, read our essay on learning about America through his novels.