Early Word on The Marriage Plot
Hawthorne and Melville
“Melville fell in love with the dashingly handsome older author the first time they met, and his forbidden passion drove him to create the symbol of impossible longing that now represents American literature to the rest of the world: the white whale.” On Herman Melville’s love for Nathaniel Hawthorne. Pair with a review of Hawthorne’s The Marble Faun.
$5,000 Is Less Than Most Freelancers
Bret Easton Ellis and Paul Schrader are using Kickstarter to raise $100,000 for an indie movie entitled The Canyons. The film “documents five twenty-something’s quest for power, love, sex and success in 2012 Hollywood,” and, if you donate $5,000, Ellis will provide notes on your novel. According to New York, this Ellis-Schrader film is not to be confused with their other one about sharks, alluded to most recently by Ellis in his Paris Review interview (Reg. Req.).
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Let’s Get a Novelist to Write a Birth Scene Transmitted via Skype
This week, Allison K. Gibson looked into the “awkward but necessary role of technology in fiction,” and what it means to include it or overlook it in a given work of fiction. Similarly, what’s with the absence of birth scenes in literature?
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Resting On One’s Imaginative Laurels
Etgar Keret is a rising (if not risen already) literary star, but these days, following the publication of his new collection Suddenly, a Knock on the Door, “he seems to be growing complacent, bored even, with his talent,” writes Joshua Furst.
A Library Without Walls
Robert Darnton at the New York Review of Books considers the feasibility of creating a National Digital Library: “I know: the devil can cite Jefferson. Anyone can cull through the papers of the Founding Fathers in order to find quotations in support of a cause. But I can’t resist.”
A Culture of Optimism
Reflecting on the sales figures of Lean In and How to Win Friends and Influence People, Sarah L. Corteau wonders: could it be that self-help is America’s quintessential genre? (You could also read Alan Levinowitz on the paradox of Christian self-help books.)
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What It Was Like, Down South
You may have read Darcey Steinke’s Year in Reading piece, or perhaps one of her articles here at The Millions. Or else you might have read — or at least heard about — her recent novel, Sister Golden Hair. Either way, you should read this interview at The Rumpus, in which she talks about Virginia, femininity and books that have too much plot.
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