New this week: Craig Thompson’s long-awated follow up to Blankets is here. Stay tuned for our review of Habibi later this week. Also new: Neal Stephenson’s Reamde, Aravind Adiga’s Last Man in Tower, Joe McGinniss’s much leaked exposé The Rogue: Searching for the Real Sarah Palin, and a new, posthumous collection of Shel Silverstein’s poetry and drawings, Every Thing On It.
Arthur Ochs Sulzberger, who served as publisher of The New York Times and as chairman and chief executive of The New York Times Company, died yesterday at the age of 86. Over at The New Yorker, you can check out an interesting round-up of recent articles they’ve done about Sulzberger and his 34-year-long tenure with the paper of record.
“Blackness in the white imagination has nothing to do with black people.” Claudia Rankine, author of Citizen: An American Lyric, is interviewed over at The Guardian on everything from Serena Williams to her emotionally volatile book signings to the inescapability of racism.
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.