No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.