Ever wonder how Google Translate works? Now you know. These two pieces (one and two) on Lydia Davis‘ translation of Madame Bovary are worth revisiting, too.
“Perfect translation … is of course impossible.”
Introducing Flannery O’Connor
Adrian Van Young at Electric Literature has compiled a reading primer for the works of Flannery O’Connor. Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
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Otherworldly
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
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“Happy memories pass in slow procession over the soul”
Eldritch Press, which has a whole slew of free books available online, has just added the Constance Garnett translation of Ivan Turgenev’s A Hunter’s Sketches. Happy reading, everybody.
Felt Succeeds Where Words Fail
Spike Jonze and Olympia Le-Tan collaborate on a short, creepy, bookish sex romp, animated in felt and set in Shakespeare and Company. Via The Dish.
Ben Greenman Interviewed
Ben Greenman, a favorite around here, interviewed at Failbetter.
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Approaching Parity
“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.
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