“Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive.” Longreads has a reading list of forgotten women writers, including Theresa Hak Kyung Cha, Jessie Redmon Fauset, and Anita Brookner, whom we profiled in our own pages last year.
California seems to have it all: Hollywood, the sun, vineyards, and more. Yet it doesn’t have a weekly magazine. California Sunday will change that by launching a magazine delivered on digital platforms daily and in local print newspapers every Sunday. Bonus: They’re hiring.
This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“