Chad Harbach‘s The Art of Fielding may get its own HBO series, reports Variety. Additionally, if you subscribe to n+1, they’ll include a copy of the book when it releases.
The Art of Fielding: The Show
What Happened
Blackout, the recent memoir by Sarah Hepola, chronicles the author’s long struggle with reckless drinking. The title references the total loss of memory she experienced after some of her worst benders. At The Morning News, Rosecrans Baldwin talks with Hepola about her book, amnesia and the nature of memory.
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Granta’s Horror Issue
Granta‘s “Horror” issue was published just in time for Halloween, and I can’t think of a better way to whet your appetite than to read Daniel Alarcón‘s “The Ground Floor.”
Appearing Elsewhere
Our own Bill Morris has a piece in Artes Magazine about a landscape painter, Rackstraw Downes, who is finally “having a long-overdue moment.”
Finnegans Wake Hits Chinese Shelves
I don’t know how they managed to translate the thunderwords into Chinese, but if sales figures indicate success, they did a bang up job. Finnegans Wake is huge in China right now.
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New Michael Lewis Book On the Way
Michael Lewis’s next book, which is due to hit shelves in March, will be concerned with “the financial world.” And that’s really all we know about it at this point.
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Tuesday New Release Day: Vowell, Doctorow, Shepard, Atkinson, McEuen, Egan
New this week is Sarah Vowell’s Unfamiliar Fishes (reviewed here) along with new story collections from E.L. Doctorow (All the Time in the World) and Jim Shepard (You Think That’s Bad). Also new this week is Kate Atkinson’s latest Jackson Brodie mystery Started Early, Took My Dog and Paul McEuen’s debut mixing “science and suspense” Spiral. Out in paperback is Millions Hall of Famer A Visit from the Goon Squad by Jennifer Egan.
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To Essay
“For a while, shortly after I finished an undergraduate creative writing course, everything I wrote started with an observation or a realization…I was going to be an essayist, and it was going to be awesome.” At The Morning News, Martin Connelly writes about how he lost his drive to become an essayist and the surprising thing that makes him want to start again — his daughter. For more on the power of the essay, read our interview with Leslie Jamison.
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