Rachman’s Single

‘The 4½-foot tall poststructuralist philosopher I live with demonstrates a radical mode of viewership daily. Because of her, and with her, I am able—by moments—to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of emotional and sensory intensity, almost like rooms to which one can return.” Dana Stevens on watching movies with, and like, a child.

“Each one of those books is, like, several hundred pages long. So, that’s a lot of romantic anxiety and adolescent/young-adult/middle-aged angst to distill into pictures, but as far as I can tell, it’s all there: salted fish, shower-sex, alcohol-induced existential despair, the whole shebang! No reading required.” The Melville House blog, MobyLives, revisits the work of an anonymous artist who reenacted all of Karl Ove Knausgaard‘s My Struggle series using LEGOs. See also: our review of Knausgaard’s epic.

It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”