Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like "synapse," "chemical imbalance" and "hardwired" point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
Do you need a pot of coffee before you dive into writing every day? You're just procrastinating and making yourself less creative. Writer Merrill Markoe did the same thing until she discovered that working right after she wakes up leads to the best creative writing. "Words come pouring out easily while my head still feels as if it is full of ground fog, wrapped in flannel and gauze, and surrounded by a hive of humming, velvety sleep bees."
Peter Osnos on how far the publishing industry has come since the galas and publishing events of the 1990s: "That the action in publishing now is in the creation of books rather than selling the rights to them is a meaningful indicator of the excitement in the industry about the digital potential."
We’ve written a fair bit about the By the Book series at the Times. You can read a selection of the best entries in a collection published by the paper. This week, the series featured another novel guest: Alan Gilbert, the conductor of the New York Philharmonic. Sample quote: “I don’t seek out books about music. I’ve read them over the years, but somehow, as a genre, it isn’t something I am specifically looking for.”