Haruki Murakami‘s Norwegian Wood has been dropped from one New Jersey school’s syllabus due to “some words and language that seemed to be inappropriate as far as the parents and some of the kids were concerned.” His publisher A. A. Knopf has issued a statement in response.
It’s been one week since the “Friday Night Lights” finale aired on network television, and it seems as though the entire internet is grieving. Two Grantland pieces: an oral history and a tongue-in-cheek analysis; an opinion piece juxtaposing Peter Berg‘s low-rated drama against “Glee”‘s success; and now even The Paris Review has thrown its hat into the ring. All of this, of course, comes on the heels of our own Sonya Chung‘s piece last April.
It was shocking to find that New York Times correspondent Anthony Shadid had died, of an asthma attack of all things, while reporting in Syria, especially when he’s put himself in harm’s way so many other times and emerged unscathed. Tyler Hicks, the Times photographer who was with Shadid when he died and who escorted his body out of Syria was, along with Shadid, among of the four journalists captured and held in Libya less than a year ago in the early days of the uprising there. Shadid’s reporting was brave and essential there and elsewhere. His death comes just weeks before the release of a memoir, House of Stone: A Memoir of Home, Family, and a Lost Middle East.
Do you want to start a small press? Take advice from Spencer Madsen of Sorry House. In his article “I Made the Mistake of Starting a Small Press and So Can You” at The Toast, Madsen recommends making the book look “better than a breakfast burrito” and listening to 2 Chainz to get started. Pair with: Our article on how Curbside Splendor became a small press to watch.
Electric Literature has a fantastic interview with “viral poet” Patricia Lockwood, author of “Rape Joke,” new book Motherland Fatherland Homelandsexuals, and this prophecy: “We’re going to have something in the future that is so much more revealing than tit pics, and we don’t even know what it is yet.” Pair with: today’s new Millions piece on publishers’ struggle to turn the love of poetry into poetry sales.
“I take to heart Percival Everett’s point that all writing begins as experiment. Experiments are hypo/theses; wagers; fermentations or useless admixtures; mud pies and blood pies.” Miranda Mellis talks with HTMLGiant’s Christopher Higgs in the next installment of Higgs’s essential “What Is Experimental Literature?” interview series. It’s worth perusing the the back catalog if you missed the first three, with the fabulous Debra Di Blasi, Danielle Dutton, and Bhanu Kapil.