Millions favorite Geoff Dyer, author of Otherwise Known as the Human Condition, is going to start writing a column for The New York Times‘ Book Review. “Reading Life” will detail “the ups and down of his long relationship with the written word. What do we do to books and what do books do to us? How do they delight and derange?” His first column can be found here.
With the NCAA’s March Madness tournament winding down, and with The Morning News’s Tournament of Books drawn to a close, you can still indulge your bracketological yearnings by participating in Powell’s Books’s Poetry Madness or by checking out NPR’s Ides of March Madness.
The Table 4 Writers Foundation, which was established in the honor of Elaine Kaufman, will award $2,000 grants for never-before-published works of fiction and non-fiction. The deadline for submissions is October 15. (h/t Bill Morris, who has written about the foundation and grant program before.)
John Darnielle, who you may know through his work with The Mountain Goats, released a new novel last week, titled Wolf in White Van. Over at The Hairpin, our onetime #LitBeat editor Emily M. Keeler reviews the book, which she calls “a novel that unspools rather than reads.” Pair with: Jesse Jarnow on the 33 ⅓ book series, which includes a volume written by Darnielle.
This January, Penguin Random House, Goodreads, Mashable and the National Book Foundation are sponsoring National Readathon Day, a holiday which encourages Americans to join together for a marathon reading session. If you’d like to take part, you can start a fundraiser to help support reading education, or else enlist your friends and family to read with you on January 24th from noon to 4 p.m.
The Guardian‘s Max Liu highlights several rising star Asian American authors, including Year in Reading 2017 participant Jenny Zhang. “After years on the peripheries of US fiction and poetry, Asian American authors have stepped into the spotlight during 2017. Books by writers of east and south-east Asian heritage are one of the hottest trends this year. […] Transcultural writers, born to immigrant parents in the US or immigrants themselves as children, they are channelling their experiences into writing that, with perfect historical timing, challenges readers to resist attacks on immigrants’ rights and to see refugees as individuals with unique stories.”