I recently sat down for a long and wide-ranging interview with The Faster Times. Topics covered include technology, Taco Bell, technology, Richard Yates, technology, Friday Night Lights, and…er…Internet self-promotion.
“When we read a book that requires that effort — when the act of reading becomes rigorous and self-aware, rather than effortless and transparent — we get to have a history with what we’ve given ourselves to, a history etched into us by the demanding friction of its difficulty.” Zoë Heller and Leslie Jamison debate whether or not we overvalue difficult literature in The New York Times.
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?
Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.
“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.
The brief excerpt of The Late American Novel that appeared in the New York Times Magazine this past weekend was also the first appearance of “A Tiny New Culture Section With No Name,” part of the Magazine’s redesign. At the Magazine’s “behind-the-scenes” blog, Editor Adam Sternbergh talks about the tiny new section and has some very nice things to say about The Late American Novel as well.