New DeLillo

“He is for the most part interested in documenting the sources of our unusual suffering, those initial shocks that brought about the trauma in the first place. Nothing ‘languishes listlessly’ in his music; all those slowly orbiting fragments are drawn back together in furious rotation, sucked inexorably in, towards a volatile core. The mood never stabilizes; madness reigns supreme.” This piece by Tom Regel at The Rumpus on realism in the work of DJ/Producer Flying Lotus is both thorough and convincing.

Natasha Wimmer, translator of Roberto Bolaño’s 2666 and Álvaro Enrigue’s Sudden Death, explains her work process and why she’s translating a woman’s work next. Pair with our founder C. Max Magee’s thoughts on machine translation.

Percival Everett wins the Believer Book Award, for I Am Not Sidney Poitier: “a wickedly funny, stunningly imaginative, and wholly original book that addresses, head-on, sex, racism, religion, and wealth in America.”