Colum McCann can add the International IMPAC Dublin Literary Award to the long list of accolades he has received for Let the Great World Spin. The book is a Millions Hall of Famer and our coverage of the title has been fairly extensive. Previously: Digging into the 2011 IMPAC Longlist, The Eclectic IMPAC Shortlist Has Arrived.
McCann wins the IMPAC Award
Fight the Dad-Bod
Is the “Dad-bod” a harmless internet trend or an organizational principle of patriarchy? Vishnu Strangeways at The New Inquiry sides with the latter. Our own Edan Lepucki wrote a particularly relevant piece for The Millions on Beyoncé and the problem with feminist anthems–here it is.
●
●
Secret Identity
Elena Ferrante’s introduction to the Folio edition of Sense and Sensibility is available at The Guardian. She describes the experience of reading Jane Austen as a girl. “At the time, I was enthralled by the great male adventure novels, with their stories that ranged all over the world, and I wanted to write such books myself: I couldn’t resign myself to the idea that women’s novels were domestic tales of love and marriage. I was past 20 when I returned to Austen. And from that moment not only did I love everything she had written but I was passionate about her anonymity.”
●
●
Our young robot overlords
Looks like our robot overlord is going to be a 13-year-old boy: the Turing Test has been passed for the first time by a bot simulating a preteen, making history for artificial intelligence research and teenagers alike. “Our main idea was that he can claim that he knows anything, but his age also makes it perfectly reasonable that he doesn’t know everything,” researchers explained.
The Writer as Outsider
“Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.” Karen Karbo writes for Powell’s Books’s blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone‘s piece “Practical Art: On Teaching the Business of Creative Writing.”
●
●
Writing to Explain Yourself to Yourself
The Tide King author Jen Michalski shares a wonderfully honest account of how she managed to write her way out of the closet. “People, mostly nonwriters, are always surprised when I tell them I wrote so much growing up,” she says. “But those words, I want to tell them, weren’t written for anyone else – the audience who needed to see them and the audience for whom they were written was me.”
●
●
Parul Sehgal Wins NBCC Award for Excellence in Reviewing
Parul Sehgal, nonfiction editor at Publisher’s Weekly (and sister of The Millions intern Ujala Sehgal), has been awarded the National Books Critics Circle “Nona Balakian Citation for Excellence in Reviewing.” Previous winners include Joan Acocella, Ron Charles, and Sam Anderson. The award was based on her diverse portfolio of work as a reviewer, including a review of Susie Linfield’s The Cruel Radiance, a review of Stacy Schiff’s Cleopatra: A Life, and her piece on David Abram’s Becoming Animal. Congratulations!
Chelsea Girl
Eileen Myles is the weird poet that the mainstream is finally starting to accept. Here’s an essay from Stephanie LaCava at The Millions on how social media helped to push Myles’s historically ignored avant-garde world into the mainstream.
●
●
Best Illustrated Children’s Books
Look, we know it’s nice to read highbrow literary fiction all the time, but sometimes you need a break. Luckily, here is a helpful list of the best illustrated children’s books of 2016 from the folks over at The New York Times.
●
●