It almost sounds too terrifying to be true. Your book is reviewed by Christopher Hitchens in the New York Times Book Review and he opens with: “This is an extraordinarily irritating book” (and it gets worse from there, and deservedly so). It happened to David Mamet and his new book The Secret Knowledge.
Parul Sehgal, nonfiction editor at Publisher's Weekly (and sister of The Millions intern Ujala Sehgal), has been awarded the National Books Critics Circle "Nona Balakian Citation for Excellence in Reviewing." Previous winners include Joan Acocella, Ron Charles, and Sam Anderson. The award was based on her diverse portfolio of work as a reviewer, including a review of Susie Linfield's The Cruel Radiance, a review of Stacy Schiff's Cleopatra: A Life, and her piece on David Abram's Becoming Animal. Congratulations!
The Guardian reports that the British Library has made its archive of world and traditional music available online. And it's free for everyone. What might you hear? "There are Geordies banging spoons, Tawang lamas blowing conch shell trumpets and Tongan tribesman playing nose flutes. And then there is the Assamese woodworm feasting on a window frame in the dead of night." You might also check out the British Museum's free online image database. Here you'll find thousands of images of paintings, etchings, drawings, and artifacts from every country and era of human history, easily searchable by era, country, artist, or subject. In using the database for dissertation research, I also found copyright permissions relatively easy to acquire.
Celebrated author Jean Craighead George passed away this week at the age of 92. George published more than 100 books throughout her career, often focusing on the environment and the natural world, most famously in My Side of the Mountain and in her Newbery Medal-winner, Julie of the Wolves.
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.