The huge, McSweeney’s-published, John Sayles novel A Moment in the Sun has been getting great reviews. It’s now out. Also new this week is China Mieville’s Embassytown, reviewed here today; Paul Theroux’s exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila’s new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue’s Room and Justin Cronin’s The Passage.
Tuesday New Release Day: Sayles, Mieville, Theroux, Habila, Drabble, Donoghue, Cronin
Someone You’re Not
We’re all frauds on the internet! Ann Leary at The Literary Hub takes a look at why online relationships tend to falter in the “real world.” Here are a couple of complementary friendship-related essays from The Millions.
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Tangled Youths
Evan Hughes investigates the formulation of such writers as Jeffrey Eugenides, Jonathan Franzen, and David Foster Wallace. He claims they and their generation “had youths tangled enough for ten novels.”
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The Childhood Writing of the Brontë Sisters
Mel Sherwood takes a closer look at the first writing by the Brontë sisters, whose literary talents were apparent from an early age.
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Bad Credit
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
Tuesday New Release Day
New this week stateside is buzzed-about Booker shortlister Room by Emma Donoghue. Also out: Gold Boy, Emerald Girl, a new collection by “20 Under 40” lister Yiyun Li; Sigrid Nunez’s post-apocalyptic Salvation City; and a McSweeney’s-published memoir Half a Life by Chang and Eng author Darin Strauss.
Anyone know why books are released on Tuesday and not Monday? I have a general idea but would love a specific professional answer, as some authors require their books to be released on Monday ( i.e. James Patterson) or so I’ve been told.
thanks!
Mike, You can take a look at some guesses here: https://www.themillions.com/2009/06/ask-book-question-73-tuesday-new_09.html