Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)
The Teenage Years are More Dystopian Than Ever
Memories of Home
For NPR, Joyce Carol Oates talks about her childhood home and how it’s influenced her as a person and a writer. Pair with Brittani Sonnenberg’s Millions essay on finding a home as a writer.
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Poetry Machine
Villanelle Bot, a Twitter bot that composes poems in villanelle form, is publishing the automated poetry on their blog. The bot uses Twitter posts from random people, then stitches together all lines that end in certain words to form a full poem. You could also check out our piece on the best of literary Twitter.
Oppa Sijo Style
Forget “Gangnam Style.” The next Korean musical craze should involve the sijo (pronounced “shee-jo”), a type of poem dating back to the 1300s, and, “up until the 20th century … was mostly composed and sung, not written and published.” You can listen to a performance of Yi Cho’nyön’s “Moonlight Pear Blossoms” over here.
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Poetry of Misplacement
Recommended Reading: Daisy Fried’s poem in the new issue of Grey Magazine, “Where Not to Put Things.” “Failed poems about sex, ball of yarn/twists from pink to green/to tangerine.”
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Weltsday
Here’s a Rob MacDonald poem about a spelling bee contestant struggling with the word weltschmerz to get you through your Wednesday.
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“The heat of autumn / is different from the heat of summer.”
With the help of Flora Coker, the Poetry Foundation created an animated reading of Jane Hirshfield’s “The Heat of Autumn.”
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The Literary Identity
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim‘s review of Call Me Zebra.
Dystopian novels are defintely the new “it” for young adults. Its about time too, I couldn’t stand seeing a new series about vampires. I think dystopian is a great genre for young people because it forces them to reflect on the society they live in, which is important contemplation for young people before they step out into the world.
Interesting timing – as I read and reviewed The Hunger Games just last night after much prodding from friends. That book is still getting lots of publicity and play. I was not at all impressed, but I agree that there are a lot of wonderful things for young adults to take from these post-Apocalyptic stories. While I think young people reading anything at all, even if it’s Twilight and the like, is a beautiful, wonderful thing – if authors manage to entertain AND provoke thoughtful discussion, all the better.