Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)
The Teenage Years are More Dystopian Than Ever
The Hobbit, Animated
Sure, the trailer for Peter Jackson’s adaptation of The Hobbit got everyone talking, but it’s so three weeks ago. Here’s something really fresh: a twelve-minute “animatic” version of The Hobbit produced by legendary animator Gene Deitch in 1966.
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Well-Heeled
A couple years ago, Robert Birnbaum interviewed Edith Pearlman for The Millions, asking why the highly regarded short story writer didn’t hit it big until recently. Now, in the Times, Laura van den Berg reads Pearlman’s book Honeydew, in a piece that nicely complements Steve Almond’s profile of the author. FYI, Laura van den Berg has written for us.
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Good/Bad Franzen
Get to know the ins and outs of bookstore reading etiquette with this helpful guide (featuring none other than Jonathan Franzen) illustrated by Kate Gavino. Gavino, whose book Last Night’s Reading: Illustrated Encounters with Extraordinary Authors is out now, got her start with a wildly successful Tumblr account.
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The New Yorker on The Late American Novel
The folks at The New Yorker’s Book Bench offer their take at The Late American Novel: Writers on the Future of Books. (Spoiler Alert: Katherine Hepburn gets a shoutout.)
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Kindle’s “Public Notes”
Amazon’s “Public Notes” feature kindle.amazon.com isn’t as new as some are saying, but it might be creepier than you think. In other Kindle news, GalleyCat‘s put together a “how-to” guide to copy and pasting text selections from one device to another.
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The Pale King Comes into View
David Foster Wallace’s unfinished novel The Pale King now has a cover and an April 15 release date (appropriate for its IRS-oriented subject matter.) The New York Times has a bit more.
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“I don’t believe the reader needs to know anything about me.”
Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”
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Dystopian novels are defintely the new “it” for young adults. Its about time too, I couldn’t stand seeing a new series about vampires. I think dystopian is a great genre for young people because it forces them to reflect on the society they live in, which is important contemplation for young people before they step out into the world.
Interesting timing – as I read and reviewed The Hunger Games just last night after much prodding from friends. That book is still getting lots of publicity and play. I was not at all impressed, but I agree that there are a lot of wonderful things for young adults to take from these post-Apocalyptic stories. While I think young people reading anything at all, even if it’s Twilight and the like, is a beautiful, wonderful thing – if authors manage to entertain AND provoke thoughtful discussion, all the better.