Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)
Lorin Stein has made the complete archive of The Paris Review interviews available for free online. The New York Times explains why this is such fantastic news: “The first issue of The Paris Review contained an interview with E.M. Forster. The new issue contains two, with Norman Rush…and the French controversialist Michel Houellebecq. In between there have been more than 300 others, from Ernest Hemingway (as indignant as a gored bull) to Jorge Louis Borges (funny and quizzical) and Hunter S. Thompson (surely on a variety of pharmaceuticals). Nearly all are worth a look-in.”
Most of our discussions about changing the canon revolve around adding onetime marginalized writers. But there’s a flipside to this — who do we need to eject? In a Bookends column for the Times, James Parker and Francine Prose pick greats that are no longer great.
The New York Public Library announced their eighteenth annual Young Lions Fiction Award, which is “given annually to an American writer age 35 or younger for either a novel or a collection of short stories.” The 2018 finalists are: Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Venita Blackburn‘s Black Jesus and Other Superheroes, Gabe Habash‘s Stephen Florida, Emily Ruskovich‘s Idaho, and Jenny Zhang‘s Sour Heart. From our archives: Habash and Zhang‘s 2017 Year in Reading entries.