Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)
The Teenage Years are More Dystopian Than Ever
Wharton is the Original Gossip Girl
On this week's New Yorker Out Loud podcast, Rebecca Mead recommends (seriously) Edith Wharton's The House of Mirth -- "the real thing" -- for teen-readers who love the Cecily von Ziegesar Gossip Girl series.
Smiles to tears
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about "the evolution of the novel.")
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Tuesday New Release Day: Wyld; Harvkey; Simpson; de Rosnay; Henderson; Solomon
New this week: All the Birds, Singing by Evie Wyld; In the Course of Human Events by Mike Harvkey; Casebook by Mona Simpson; The Other Story by Tatiana de Rosnay; Vernon Downs by Jaime Clarke; and Labor Day: True Birth Stories by Today’s Best Women Writers, edited by Eleanor Henderson and Anna Solomon. For more on these titles and other new releases, check out our Great 2014 Book Preview.
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A Detestable Dichotomy
Paulo Coelho recently condemned Ulysses for being all style and no content. In response, Ali Smith makes the case for style.
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Special Feature: Kathryn Stripling Byer
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
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“Pointless and trivial.”
“Where, more importantly, is the story? David simply is. He does nothing, desires nothing. He exists, if that, and nothing more.” Shalom Auslander judges the prestigious Three Under Three prize.
****!
Oh, shit: looks like many of our curse words are quickly going extinct. (There is good news, however, contained in this delightful sentence: “Still, according to Sheidlower, f-bomb enthusiasts need not fret too much.”)
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Dystopian novels are defintely the new “it” for young adults. Its about time too, I couldn’t stand seeing a new series about vampires. I think dystopian is a great genre for young people because it forces them to reflect on the society they live in, which is important contemplation for young people before they step out into the world.
Interesting timing – as I read and reviewed The Hunger Games just last night after much prodding from friends. That book is still getting lots of publicity and play. I was not at all impressed, but I agree that there are a lot of wonderful things for young adults to take from these post-Apocalyptic stories. While I think young people reading anything at all, even if it’s Twilight and the like, is a beautiful, wonderful thing – if authors manage to entertain AND provoke thoughtful discussion, all the better.