When our own Mark O’Connell reviewed Edouard Levé’s Autoportrait, he wrote that the book compels you to keep reading because “the more Levé says, the more facts he sets down, the more you realize he hasn’t said.” But what if at the end, you’re meant to reread the book, too? Over at Words Without Borders, Jan Steyn says “the only way to get a better idea of how [these sentences] fit together is to keep reading, and reading, until the end, and then perhaps to read the book again.”
In his recent collection of poetry, The Americans, David Roderick examines the spaces in which Americans make their homes, calling on his readers to view them in the context of American history. At The Rumpus, Brian Simoneau reviews the collection, which he says illuminates some of his own odd feelings about moving from Boston to Connecticut.
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
A while back, I pointed readers to Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published by The Toast’s Mallory Ortberg. It satisfied those of you who never understood why Harry didn’t slough off his legions of parasitic friends. Now, The Toast brings us the conclusion to the series, in which Harry’s labors bring him the rewards he deserves. Sample quote: “I have earned the Elder Wand through my own achievements.”
“This year wasn’t short on the best kind of book: the type that polarizes opinion.” The New Republic reviews the most divisive books of the year. Included is our own Garth Risk Hallberg’s City on Fire. Check out opening lines from the story and an interview with the author.
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it’s fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. “At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, ‘Oh my God, it’s publication day’ and I have a panic attack like ‘Oh my God, what have I done?’ I think the awareness of an audience is something I’m just coming into because this is a first book.”