“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
The L Magazine features an interview with poet/multi-genre artist Claudia Rankine, whose performance piece The Provenance of Beauty: A South Bronx Travelogue — a Rankine-written-and-recorded narrative that accompanies a bus ride through the South Bronx — will run for two months beginning Labor Day Weekend.
The 2017 Whiting Award winners were announced tonight at a ceremony in Manhattan, and this year’s list of ten honorees includes Francisco Cantú (The Line Becomes a River), Simone Wright (Of Being Dispersed), Phillip B. Williams (Thief in the Interior), Kaitlyn Greenidge (We Love You, Charlie Freeman), Tony Tulathimutte (Private Citizens), Jen Beagin (Pretend I’m Dead), and Lisa Halliday (Asymmetry) as well as playwrights Clarence Coo, James Ijames, and Clare Barron. The award, which recognizes early-career writers of fiction, nonfiction, poetry, and drama, comes with a $50,000 prize. Excerpts from each writer’s work can be read at The Paris Review.
Haruki Murakami‘s Norwegian Wood has been dropped from one New Jersey school’s syllabus due to “some words and language that seemed to be inappropriate as far as the parents and some of the kids were concerned.” His publisher A. A. Knopf has issued a statement in response.
This blog post from the NYT Magazine’s culture editor Adam Sternbergh rounds up some some well known lit lovers’ suggestions for some of those of you looking for some “red hot summer trash” to add to your reading list. Maud Newton and our own Garth Risk Hallberg both recommended Lonesome Dove, so that’s going on my reading list for sure.