Tasteless and horrifying–nay, even a sign of the apocalypse–or rather excellent advice for college-bound young ladies? You decide: Vice Magazine‘s “A Beginner’s Guide to Drugs For Girls.” (A taste: “Here are some pointers for the beginners out there so you can get high without becoming that girl slumped in the corner of the night bus with vomit all over your shoes and lockjaw so bad your teeth have all snapped in half.”)
After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
Is there an indie press that consistently punches up as high and as successfully as Two Dollar Radio? They’re the ones who unleashed The Orange Eats Creeps onto our shelves three years ago, and they followed it up shortly thereafter with the breakout work of Scott McClanahan. Now? Now they’re poised for a threepeat with Shane Jones’s Crystal Eaters, which has already earned its author interviews on Hobart and The Paris Review. (Bonus: TDR’s publisher on moving his outfit to Ohio.)
"[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends." Valeria Luiselli and Laia Jufresa, longtime readers of each other's work, in conversation over at BOMB Magazine. See also: our review of Luiselli's The Story of My Teeth.
Recommended reading: Michael Booth writes for The Paris Review about the work of Danish author Aksel Sandemose and the "enduring mark on the national character" his satirical Jante Law has left.
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.