Parul Sehgal, nonfiction editor at Publisher’s Weekly (and sister of The Millions intern Ujala Sehgal), has been awarded the National Books Critics Circle “Nona Balakian Citation for Excellence in Reviewing.” Previous winners include Joan Acocella, Ron Charles, and Sam Anderson. The award was based on her diverse portfolio of work as a reviewer, including a review of Susie Linfield’s The Cruel Radiance, a review of Stacy Schiff’s Cleopatra: A Life, and her piece on David Abram’s Becoming Animal. Congratulations!
Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”
The New York Times‘ executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
While makers of the graph admit that it’s no substitute for a real poll, according to a heatmap of political books purchased on Amazon in the United States, conservative books are more popular than their left-wing rivals. Another heatmap of note: a firm tracked the use of the F-bomb on twitter over the course of a day to see where America’s foulest mouths are concentrated.
“Bengali children’s fiction’s limitless supply of ghost stories is matched by little other than its readers’ appetite for it,” writes Siddharthya Swapan Roy. “Anthologies dedicated to ghostly thrills come out with unfailing regularity and every publishing house that does not wish to upset its child readership pays due respects to ghosts and their stories.”