Emily Gould champions Barbara Comyns‘s overlooked novels at The Awl. One more deserving mention: Comyns’s haunting Who Was Changed and Who Was Dead.
“The reader emerges … refreshed but crippled”
ROOSTER!
Did you forget that The Morning News Tournament of Books starts today? If so, I bet you're glad you saw this reminder. Have fun.
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Colonized
A Canadian Ph.D. student wrote (and successfully defended!) a 52,000 word dissertation that features almost no punctuation. Titled “Indigenous Architecture through Indigenous Knowledge,” the dissertation has no periods, commas or semi-colons, a choice intended to “make a point” about colonial and aboriginal identity. Canada’s National Post has the story.
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The Book of Exodus
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg's Millions essay on Ugrešić’s legacy.
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“Beyond Geography” Event at The Center for Fiction
Tonight, 12/4, in New York, The Center for Fiction, hosts "Beyond Geography," a discussion of the role of place in the art of fiction with Jennifer Haigh, Hari Kunzru, Jennifer Acker, and Sonya Chung, co-sponsored by The Common.
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Branded
"It is all bricolage for personal identity building," says Rob Horning of N+1, providing a somewhat bleak image of the "fast fashion" industry and social media, and what can be expected from the future.
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“Be realistic! Demand the impossible!”
Want to go to Paris but don't have the money? You can read these books instead. In the Times, a list of new books that bring you to the City of Light.
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Special Feature: Kathryn Stripling Byer
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
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“Who Was Changed and Who Was Dead” is a favorite of mine. I am very happy to see that people will get a chance to read it. It is a really strange and wonderful book.
It is, indeed, a strange book. I recently finished reading it, but I’m not sure what I think of it. It was worth the time, but I don’t think it will stay with me, and I don’t feel any compulsion to read anything else by her. Perhaps with time.