Emily Gould champions Barbara Comyns‘s overlooked novels at The Awl. One more deserving mention: Comyns’s haunting Who Was Changed and Who Was Dead.
“The reader emerges … refreshed but crippled”
The Problem with “Brave”
On odd reading habits, the problem with “brave” writing and being a writer in LA: an interview with Meghan Daum, whose essay collection The Unspeakable was reviewed by our own Hannah Gersen.
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Junot Diaz on What is a Writer
Junot Díaz writes in O. Magazine about the harrowing, doubt-and-terror-filled decade-plus he spent writing his Pulitzer-prize winning first novel, The Brief Wondrous Life of Oscar Wao.
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Decolonizing Our Shelves
“… Stop talking about diversity and start decolonizing our shelves.”At the Winter Institute 2018 (Wi13), keynote speaker Junot Diaz lambasted the publishing industry for talking — but doing little else — about diversity in literature, and implored librarians and booksellers to fill their shelves with diverse books. From our archives: an essay on race, gender, and Diaz’s writing.
One After the Other
It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling wrote an essay on Blume’s book Forever.
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Dealing with Bros
Wendy Willis advises us on how to deal with bros like Donald Trump and Robert Bly. Pair with Greg Chase’s recent piece on understanding the Trump supporter through Faulkner’s The Sound and the Fury.
Katrina’s Anniversary
While East Coasters are still dealing with the wrath of Hurricane Irene, the anniversary of Hurricane Katrina passed yesterday. NPR has a timely interview with host Michel Martin, musician Irvin Mayfield and Keith Spera, author of Groove Interrupted: Loss, Renewal and the Music of New Orleans. Likewise, Rivka Galchen‘s 2009 Harper’s essay “Disaster Aversion” bears re-reading.
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Crash Course
Koa Beck’s father gave her a copy of Erica Jong’s Fear of Flying when she was 15 years old. Depending on your persuasion, this was either a brilliant idea or an awful parental blunder. Regardless, Beck says the book (aided by The Bell Jar and Diary of a Mad Housewife) helped her understand that “the game was rigged, that everyone was lying, [and] that there was so much more to being a woman than what society said there was.”
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“Who Was Changed and Who Was Dead” is a favorite of mine. I am very happy to see that people will get a chance to read it. It is a really strange and wonderful book.
It is, indeed, a strange book. I recently finished reading it, but I’m not sure what I think of it. It was worth the time, but I don’t think it will stay with me, and I don’t feel any compulsion to read anything else by her. Perhaps with time.