It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
The Critterati pets-in-literary-garb contest ends at midnight tonight! You can view a gallery of the submissions as they appear, and some of them are phenomenal. I especially like Humbert Humbert. I don’t know how these people got their animals to cooperate (drugs, probably). Big Ed and Nadine, aged six months, made it quite clear that under no circumstances would they be dressed up as Lata and Kabir from A Suitable Boy (what am I supposed to do with this tiny cardboard cricket bat now?) Henry and June was also a non-starter, but that might have been unkind to do to siblings, anyway. No one wants to see his sister chew up a garter belt. Evidently I’m not the only one to encounter massive opposition.
Recommended Reading: Nathan Scott McNamara writes for The Atlantic on why we need indie publishers. “Eighty percent of U.S. books are produced by the Big Five publishers, but with each passing year—and with a stable small number of annual releases—independent presses are earning more of the literary conversation, gaining frequent articles and reviews in The New York Times, The Guardian, The New Yorker, and more.” You could also read Rebecca J. Novelli’s thoughts on Roberto Calasso’s The Art of the Publisher.
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
Robert Birnbaum and Tobias Wolff talk short stories and other topics at The Morning News. Wolff: “Somebody once described the novel as a prose narrative of a certain length that has something wrong with it. I can think of a few novels that seem to have nothing wrong with them at all, but I can think of a lot more short stories that seem to me to be perfect.”