Vulture reports that Paul Thomas Anderson wants to adapt Thomas Pynchon’s 2009 novel Inherent Vice for the big screen.
P.T. Anderson Wants to Direct Pynchon Novel
The Week of Lydia Davis
If you don’t have a New Yorker subscription and can’t read Dana Goodyear’s wonderful profile of Lydia Davis, then you can at the very least check out the Can’t and Won’t author’s interview with Quarterly Conversation. Or, of course, you could just go straight to the source and mainline some of her short fiction directly.
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Chekhov, Journalist
Over at the New Yorker, Akhil Sharma argues that “Anton Chekhov’s “Sakhalin Island“, his long investigation of prison conditions in Siberia, is the best work of journalism written in the nineteenth century.” Pair Sharma’s argument, and admiration, with our own Sonya Chung‘s “I Heart Checkov” essay.
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Blogging the Caine Prize
The first installment in a series of bloggers reading through the shortlist of the Caine Prize for African Writing, Aaron Bady looks at Rotimi Babutunde’s Bombay Republic [pdf]. A full list of participating bloggers is available at the bottom of Bady’s post.
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What’s Frightening About Gone Girl
Don’t Cry author Mary Gaitskill reviews Gillian Flynn’s wildly successful thriller, Gone Girl, for the pages of Bookforum. What she finds is that the book isn’t really frightening because of its plot per se, but rather because its two main characters “do not resemble actual people so much as grotesquely smiling masks driven by forces of extreme artifice, and it’s exactly that extreme artificial quality that’s frightening to the point of sickening.” For what it’s worth, Edan Lepucki, Michael Bourne, Ed Park, Janet Potter, and Jennifer duBois each named Flynn’s book in their most recent Year in Reading pieces.
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Cost of the Memoir
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
A Way Out
Recommended Reading: Ursula Lindsey of The Nation takes a trip to Cairo, where many of the Egyptian capital’s artists and writers are being forced to find a way out due to government crackdowns.
Paul Thomas Anderson’s trite, insufferably pretentious drivel is the antithesis of Pynchon’s masterful prose. This movie would be an abomination.