Already on shelves ahead of its “official” release date is Mark Twain’s long embargoed Autobiography. Also new this week are The Petting Zoo, a posthumously published novel by punk poet Jim Carroll; a new collection of Selected Stories from master of the form William Trevor; Cynthia Ozick’s “retelling” of of Henry James’ The Ambassadors, Foreign Bodies; and, in time for election day today, Matt Taibbi’s collection of biting political journalism, Griftopia.
In 2013, only 93 of 3,200 children’s books were about black characters, according to a new study. “Children of color remain outside the boundaries of imagination,” Christopher Myers writes about the absence. In a follow-up piece, his father and fellow author Walter Dean Myers examines the paralyzing effect under-representation can have on readers. “Books did not become my enemies. They were more like friends with whom I no longer felt comfortable. I stopped reading,” he writes.
The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father’s gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
Electric Literature has published a look at two new Sherlock Holmes fan fictions, “the game,” and various copyright complications, which just happens to dovetail with our own Elizabeth Minkel‘s Year in Reading account of admitting to loving Sherlock fan fic. In fact, loving the great detective has a lot to do with writing well: as Ryan Britt puts it, successful fan fiction authors “all love Holmes and his adventures way more than the man who created the great detective thought possible. Which, today, remains the biggest cultural mystery we’ll hopefully never get tired of investigating.”
“We live, in short, with local exceptions, in a dissociated world held together by fragile links of utility and self-promotion underpinned by laws of mutual advantage—a materialist ethos and cosmos that cannot but influence cultural representations and, hence, art, including poetry.” On John Donne and the humanity in art.