Who’s afraid of Amazonian masterhood?: NO MA’AM is (National Organization of Men Against Amazonian Masterhood).
“Who am I in the face of the Universe if not just a bro who wants to get stuff done?” Tim Goessling tried living a day according to Benjamin Franklin’s schedule listed in The Autobiography of Benjamin Franklin. What was his biggest takeaway? We should self-evaluate and set goals more.
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.
Mavis Gallant, who passed away a year ago this February, published a total of a hundred and sixteen short stories in The New Yorker, which puts her on par with short story factories like John Cheever and John Updike. Yet by the time she died, she was penniless and alone, a fact which worried the few people in Paris who knew her well. In The Walrus, David MacFarlane examines what her writing meant to him. Pair with: Laurel Berger on her own fascination with the author.