Lorin Stein has made the complete archive of The Paris Review interviews available for free online. The New York Times explains why this is such fantastic news: “The first issue of The Paris Review contained an interview with E.M. Forster. The new issue contains two, with Norman Rush…and the French controversialist Michel Houellebecq. In between there have been more than 300 others, from Ernest Hemingway (as indignant as a gored bull) to Jorge Louis Borges (funny and quizzical) and Hunter S. Thompson (surely on a variety of pharmaceuticals). Nearly all are worth a look-in.”
Sometimes, a writer needs to live in the setting of his or her fiction, as was the case with William Faulkner, who famously took a train from Hollywood to Mississippi solely to break through his writer’s block. Other times, they need to move away to find the inspiration to write about their home. In The Globe and Mail, Marsha Lederman writes about Emma Hooper, who credits her move to England with helping her write a novel set in her native Saskatchewan.
“I hate the idea that you must write every day because I really can’t do that. Sometimes the aching bones in my body will not allow it.” Electric Literature interviews three writers—Keah Brown, Esmé Weijun Wang, and Jillian Weise—about disability, publishing, and accessibility. From our archives: Wang’s 2016 Year in Reading entry.
“As a rare book collector and head of the English department at Ayer-Shirley Regional High School, Eleanor Capasso said that being sent what she believes could be a first edition of a Jane Austen novel felt a lot like winning the golden ticket to visit Willy Wonka’s Chocolate Factory.” Find out more about how a teacher received a two-hundred-year-old copy of Persuasion. If you’re looking for rare books, our guide has got you covered.
Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.
“If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language.” Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
Bygone Bureau editor Jonathan Gourlay spent eleven years living on the microscopic island of Pohnpei, and fortunately for us he kept his wits about him long enough to churn out a “funny, haunting travel memoir” entitled Nowhere Slow. You can check out an excerpt from the eBook over here.
Now that we’ve casted the film adaptation of Donna Tartt’s The Goldfinch, we’d like to turn your attention to Chimamanda Ngozie Adichie’s Americanah, which may be involved in an upcoming collaboration with Oscar winner Lupita Nyong’o. Adichie framed the possibility this way in a recent interview: “I’m going to do the mysterious thing and say that Lupita might be making an announcement very soon.”