Lorin Stein has made the complete archive of The Paris Review interviews available for free online. The New York Times explains why this is such fantastic news: “The first issue of The Paris Review contained an interview with E.M. Forster. The new issue contains two, with Norman Rush…and the French controversialist Michel Houellebecq. In between there have been more than 300 others, from Ernest Hemingway (as indignant as a gored bull) to Jorge Louis Borges (funny and quizzical) and Hunter S. Thompson (surely on a variety of pharmaceuticals). Nearly all are worth a look-in.”
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
“[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]” These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
“What matters is you, all alone at your desk at five in the morning.” We’ve come a long way from Dear Abby and Ann Landers, says Megan Marz in an essay for The Point, in which she looks at a younger generation of columnists that includes Cheryl Strayed, Heather Havrilesky, and Kristen Dombek. And speaking of advice! Have you checked out our new writing-advice counselors Swarm and Spark? No? Well then hie yourself to their column already!