Lorin Stein has made the complete archive of The Paris Review interviews available for free online. The New York Times explains why this is such fantastic news: “The first issue of The Paris Review contained an interview with E.M. Forster. The new issue contains two, with Norman Rush…and the French controversialist Michel Houellebecq. In between there have been more than 300 others, from Ernest Hemingway (as indignant as a gored bull) to Jorge Louis Borges (funny and quizzical) and Hunter S. Thompson (surely on a variety of pharmaceuticals). Nearly all are worth a look-in.”
Complete Archive of Paris Review Interviews Available Online
Gothic 101
Does your story have a ghost or monster? Does your heroine faint frequently? Then you might be in a Gothic novel. The Guardian has infographics on how tell if you’re in a Gothic novel.
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Connecting the Dots
How did commas, colons, dashes, and question marks come into existence? Keith Houston writes for BBC about the history of punctuation.
Indie History
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How to Win
“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
Edwidge Danticat on Gabriel García Márquez
“I had always felt that [Gabriel] García Márquez’s short stories often took a back seat to his longer works, and that his deadpan dark humor was not discussed often enough,” writes Edwidge Danticat.