The Millions is adding a new staff writer today. Join us in welcoming Bill Morris. Bill most recently wrote a consideration of China Miéville for the site this week, his fifth piece for us thus far. Bill is the author of the novels Motor City and All Souls’ Day. His writing has appeared in Granta, The New York Times, L.A. Weekly, the (London) Independent, the Washington Post Magazine and the website Aolnews.com. He lives in New York City.
Brooklyn Poets caught up with Danniel Schoonebeek in order to discuss one of his poems, hear about his idea of “a good day,” and take his recommendations for places to read, write, and explore in Brooklyn. I’ll tell you this much: the man knows how to pick a good happy hour.
“Anyone reading my fiction would never guess how seriously I take food.” Extra Crispy has an interview with Junot Díaz about his diet, with particular attention given to breakfast: “I split my time between two cities so when I’m in Boston there’s a Dominican restaurant called Merengue that serves the classic Dominican breakfast of mangú, fried egg, and fried salami. I leave off the fried cheese because well, damn.” If you’re hungry for more, might we also suggest our own Nick Ripatrazone‘s ode to the day’s first meal, as it figures in both literature and life.
“Due to its adult subject matter, it was the first animated film to receive an “X” rating (or “suitable for those aged 16 and over”) in the UK.” Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe‘s classic story “The Tell Tale Heart,” noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe’s macabre creation made our own list, from earlier this year, of literature’s greatest walls.
In an interview about her new book, The Day I Shot Cupid: Hello, My Name Is Jennifer Love Hewitt and I’m a Love-aholic, Jennifer Love had some rather startling advice for jilted young ladies: “After a breakup, a friend of mine Swarovski-crystalled my precious lady. It shined like a disco ball so I have a whole chapter in there on how women should vagazzle their vajayjays.”
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart