As if the ebook juggernaut didn’t already have enough steam behind it, The Washington Post says that, “perusing electronically will lighten your environmental impact.” You see, “every time you download and read an electronic book, rather than purchasing a new pile of paper, you’re paying back a little bit of the carbon dioxide and water deficit from the Kindle production process.”
Remember that preview for Death to Smoochy, where the voice-over proclaimed, “From the twisted mind of Danny DeVito?” Me neither. But if twisty minds are your thing, you should check out this page from Gay Talese‘s outline for the classic “Frank Sinatra Has a Cold,” written on a shirt cardboard. (Remember shirt cardboards? Yeah… Me neither.)
Amazon has unveiled its “Kindle Singles” store. Says Amazon: “Typically between 5,000 and 30,000 words, each Kindle Single is intended to allow a single killer idea — well researched, well argued and well illustrated — to be expressed at its natural length.” In practice, this appears to mean short stories as well as journalistic pieces that have (perhaps) been expanded upon. For example, a piece from n+1 is included, “Octomom and the Politics of Babies” by Mark Greif. Amazon writes that in this piece Greif “updates his insightful essay from last spring, where only the journal’s 10,000 readers had access to his dead-on critique of the American media culture that produced its own eight-headed monster.” Bottom line: Amazon is fishing for higher quality content at the low price points that Amazon readers have come to crave.
“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.
“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.